Word: tolkien
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There are two kinds of Tolkien fans. There are the day trippers, the weekend warriors, who've read The Hobbit and The Lord of the Rings and seen the movies and let it go at that. Then there are the hardcore - the Uruk-hai of Tolkien readers - who have delved further, into The Silmarillion and beyond, who seriously grok the deep history and elaborate geography and endless mystical genealogies of Middle Earth. Now there's a "new" work of Tolkien fiction called The Children of Húrin, cobbled together by Christopher Tolkien, son of J.R.R., out of manuscripts left...
...Children of Húrin is set in the First Age of Middle Earth, six and a half millennia pre-Frodo, back when Treebeard was barely shaving (Tolkien scholars will know that The Lord of the Rings takes place in Middle Earth's Third Age). The First Age has a different feel to it: it's younger and wilder somehow. The elves, distant figures in The Lord of the Rings, spend more time outside their secret spa-resorts mixing it up with mere mortals. When, in the midst of a huge battle, a balrog rears up and whips down...
...good-hearted but flawed: he's irascible, quick to anger and quick to act on his anger - he has a bad habit of killing people before he quite realizes what he's doing (though he's always remorseful afterwards). "Túrin was slow to forget injustice or mockery," Tolkien writes, "and he could be sudden and fierce. Yet he was quick to pity, and the hurts or sadness of living things might move him to tears." A dark cloud follows him, and Tolkien lays on the omens of foreboding: you get the sense that Túrin was born...
...villain of Children is the cowardly and spiteful Morgoth, who's your basic evil incarnate. Tolkien's baddies rarely have much in the way of personality, and Morgoth spends most of his time squatting in his dark fortress of Angband, casting a shadow over the land and generally making war on all that is just and beautiful. He leaves most of the actual scrapping to his lieutenants, most notably Glaurung, a wingless, wormy and rather sarcastic dragon...
...title characters undertaking an epic journey with lute-like accompaniment. “Sawdust & Diamonds,” on the other hand, has its watery imagery matched by Newsom’s lulling, swirling harp-play. The 17-minute “Only Skin” invokes Pynchon and Tolkien simultaneously, with its setting impossible to place and Newsom’s word-choice at its evocative peak. “We tramped through the poison oak / heartbroke and inchoate,” she whispers and shrieks at once, in the middle of a song that changes tone, meter...