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Peter and Katherine (Peter Weller and Judy Davis) are bored and careless. They lose jobs, take on lovers, futz around with guru-driven spirituality and dress to the nines. You could argue, as writer-director Michael Tolkin doubtless did when he was pitching The New Age, that they are perfect exemplars of chic anomie as it manifests itself in postmodern -- or postrational -- Los Angeles. You could also argue, as people whose malls don't yet contain an Issey Miyake boutique might, that they are hopeless twits...

Author: /time Magazine | Title: CINEMA: L.A. Futzing | 9/26/1994 | See Source »

...possible that Tolkin, who in 1992 adapted his own novel, The Player, for the screen, harbored satirical hopes for this project. But as a director he lacks the antic eye that (often enough to keep us interested) rescues Robert Altman from depression and pretension. Tolkin just doesn't know how to position himself -- far enough from his characters to make fun of them, close enough to them to retain our sympathy. And the question of whether they will make a go of Hipocracy, the upmarket clothing store they decide to open, is not a compelling one. Shopkeeping cannot compare...

Author: /time Magazine | Title: CINEMA: L.A. Futzing | 9/26/1994 | See Source »

...children and facing at mid-life a personal or career crisis that reminds boomers of the need for moorings. "You have to start thinking about God in the face of how to raise children in a society that has lost all connection to God," says Hollywood screenwriter- director Michael Tolkin, 42. He has ended up a more prayerful Jew than his liberal parents after seeking religious training for his children...

Author: /time Magazine | Title: The Church Search | 4/5/1993 | See Source »

Robert Altman's The Player has the razorsharp quality of a grudge long nursed by lucid bitterness. Adapted by Michael Tolkin from his own book, the film plays like every screenwriter's revenge fantasy. With strychnine-laced, on-target humor, Altman's movie dissects Hollywood as if it were a corpse that hasn't quite died...

Author: By Joel Villasenor-ruiz, | Title: Dicing Up Hollywood With Robert Altman | 4/23/1992 | See Source »

...that its satire is too inside. In the opening scene, for instance, the studio executive played by Tim Robbins sits listening to a series of real-life screenwriters pitching plausibly dopey movie ideas -- among them Buck Henry, who co-wrote The Graduate, proposing a ridiculous Graduate sequel. Michael Tolkin, who wrote the screenplay and the 1988 novel on which The Player is based, also appears in the film as a screenwriter. But all the in-jokes are a secondary pleasure, not the essence. Even if you don't know what turnaround means, The Player is a satisfying thriller -- and besides...

Author: /time Magazine | Title: A Player Once Again: ROBERT ALTMAN | 4/20/1992 | See Source »

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