Word: tolstoyan
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Dates: during 1990-1999
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...Revolution, is meant to be received with extreme piety. These artists, all dead, now have a world audience they could only have dreamed of fitfully when they were alive. We gaze at their frail icons with reverence -- the replays of French Cubism with sturgeons, Cyrillic letters and Tolstoyan beards playing hide-and-seek among their facets; the posters exhorting us to "Beat the Whites with the Red Wedge"; the constructions of workers' materials like tin and rope and painted wood; the disembodied black and red squares of now cracking paint. French gallerygoers 100 years ago never felt like this about...
...peasant art and began to paint in the primitive spirit," he wrote later. The bulky twisting serfs in Floor Polishers, 1911-12, are the laboring cousins of the ecstatic figures in Matisse's La Danse, 1909, and the red-hot metallic forms of The Woodcutter, 1912, are a Tolstoyan version of Leger's "tubism." Aviator, 1914, plays with the standard emblems of Cubism -- printed words, a hat, an ace of clubs. But it has to be the only Cubist painting with a sturgeon...