Search Details

Word: tolstoys (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...TOLSTOY As I KNEW HIM (439 pp.)-Tatyana A. Kuzminskaya-Macmillan...

Author: /time Magazine | Title: Books: Bright Young Man | 7/26/1948 | See Source »

...task of Christian art," wrote Leo Tolstoy, "is to establish brotherly union among men." Kathe Kollwitz' prints and drawings pass even Tolstoy's severe test. For more than 40 years, her art helped finance the clinic maintained by her doctor husband in a Berlin slum, and she found many of her models in the clinic as well. Pitiful studies of the poor and starving, her pictures were designed to shake Christian consciences awake, and they...

Author: /time Magazine | Title: Art: The End of the Task | 6/21/1948 | See Source »

...Nobel Prize committee passed over Mark Twain, Ibsen, Hardy, Gorky, Chekhov, Conrad, Henry James, Edwin Arlington Robinson, Arnold Bennett, Willa Gather, Swinburne, George Meredith, Zola, Proust, Joyce, H. G. Wells, D. H. Lawrence, Rainer Maria Rilke. Its greatest oversight: although it was established in 1901, and Tolstoy did not die until 1910, it never gave an award to the greatest novelist of them...

Author: /time Magazine | Title: Books: Bargain | 6/14/1948 | See Source »

...distinguished primarily for simple realism, a forthright, almost childlike honesty, a command of ordinary speech, a cool and effortless narrative style, quickened here & there with a mild, understated humor. The battle scenes are so vivid as to suggest Tolstoy's War and Peace, the common soldiers as clearly visualized as Tolstoy's peasants. Unlike Tolstoy's masterpiece, it is all war, not only in the sense that there are no scenes of peaceful life poised against the scenes of war, but in the sense that a knowledge of the meaning of peace is absent from the psychology...

Author: /time Magazine | Title: War & No Peace | 5/10/1948 | See Source »

With so much dough riding the throw, Duvivier carefully hedged his bet. His script tore down Tolstoy's complex scaffolding of historico-religious theory, eliminated the subplots, preserved only the central study of a falling woman, with a few glimpses of the high society she fell from. This might have been sufficient if the film had also saved a suggestion of the dreadful glacier-creep of Tolstoy's characterization. Instead, the camera work is uniformly uninspired, and the psychological glacier dissolves into teary slush...

Author: /time Magazine | Title: The New Pictures, May 3, 1948 | 5/3/1948 | See Source »

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