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...have been compared with both Tolstoy and Dostoyevsky, both in scope of your subject matter and in your treatment of the psychology and ideas of your characters. What is your relationship to each of these two authors...

Author: /time Magazine | Title: Russia's Prophet In Exile ALEKSANDR SOLZHENITSYN | 7/24/1989 | See Source »

...have a very great feeling of respect and kinship to both of them, although in different ways. I am closer to Tolstoy in the form of the narrative, of the delivery of material, the variety of characters and circumstances. But I am closer to Dostoyevsky in my understanding of the spiritual interpretation of history...

Author: /time Magazine | Title: Russia's Prophet In Exile ALEKSANDR SOLZHENITSYN | 7/24/1989 | See Source »

...Exhibition Hall, Moscow. Works of art -- some never before exhibited -- by Russian master Mikhail Nesterov (1862-1942), from the Tretyakov Gallery and Moscow private collections. Included is his Russia, the Soul of the People, symbolic of Russia's historical spiritual quest, depicting the religious philosopher Vladimir Solovyov and Leo Tolstoy walking along the banks of the Volga among multitudes of Russian people of different epochs...

Author: /time Magazine | Title: A Soviet Sampler | 4/10/1989 | See Source »

...competition has exposed the mediocrity of many established artists. The freshly released crop of classics has also set exceedingly high standards for aspiring artists, who were spoon-fed notions of official culture that are now held up to ridicule. Says Sergei Zalygin, editor in chief of Novy Mir: "Like Tolstoy and Dostoyevsky in the past century, our artists need to find a new style and a new way of thinking if they hope to create a psychological portrait of society today...

Author: /time Magazine | Title: The Arts: Freedom Waiting for Vision | 4/10/1989 | See Source »

...sense that the artist has a prophetic mission in society has haunted Russian culture since the 19th century. That heavy burden crushed novelist Nikolai Gogol, who was never able to equal his masterpiece Dead Souls. It ultimately led other writers, like Leo Tolstoy, away from art and into dogmatic polemics. The weight can be felt today on the Soviet artistic community. But the essential paradox of glasnost is that when cultural leaders raise their voices, they can no longer be heard above the excited babble of an entire nation learning to speak for the first time...

Author: /time Magazine | Title: The Arts: Freedom Waiting for Vision | 4/10/1989 | See Source »

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