Word: tolstoys
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...force and clarity with which Littell renders the physical realities of war and mass murder are simply astounding. His battlefields are the chaotic, deconstructed battlefields of Tolstoy and Stendhal. As for the genocide ... I have searched in vain for a passage I feel comfortable quoting. Suffice it to say that his descriptions of the most extreme forms of human suffering are explicit and precise. This book is not for the squeamish, and if you're not squeamish, it will make you squeamish...
...human vividness and mystery of fictional characters, rather than understanding the intimate details of their lives. “I think we’re too pious about this business of creating character,” Wood said. According to Wood, there are only a few authors, such at Tolstoy or Shakespeare, who “have something freakish about their ability to create galleries of characters not like themselves.” But, Wood added, though other writers portray “essentially flat” characters with fewer dimensions, they are deftly rendered and equally as effective. Wood...
...greatest force in publishing today, with the power to raise authors from the dead (Leo Tolstoy) or crucify them on the national stage (James Frey). The all-powerful Oprah Book Club is not so much a club as a ruthlessly influential marketing vehicle, with the power to fundamentally alter best-seller lists, Amazon rankings and royalty payments. Sure, the "club" has 2 million "members" and a web site that provides a space for users to share thoughts on featured titles, read excerpts and get advice like, "How to Read a Hard Book." But in the 12 years Oprah's Book...
...screen of my life," although by 2003, she switched from picking contemporary books to classic titles, including John Steinbeck's East of Eden and Gabriel Garcí]a Márquez's One Hundred Years of Solitude. Winfrey's picks boosted sales: Penguin ordered 800,000 more copies of Tolstoy's Anna Karenina after the 19th-Century Russian novel got the nod. But much of the publishing industry was dismayed at missing the chance to hitch their latest books - and their profits - to Oprah's train. It didn't help that the classics she picked didn't make for great...
...writes Darnton. The executive editor (modeled on the current executive editor, Bill Keller) is too shy to talk to his staff and constantly reminisces about his days as a foreign correspondent in Russia and Africa. The reporter without a moral compass (Judith Miller, of WMD fame) gets caught plagiarizing Tolstoy. There is even a hard-driving and swashbuckling rival publisher named Lester Moloch (modeled on Rupert Murdoch). There are countless reporters and editors with their own bizarre tics or traits. The murder was clearly a clever inside job. More, I will not give away...