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Angwin's book is a tour through MySpace's turbulent adolescence. The site's massive growth made it an easy target for hackers, privacy advocates, parent groups, competitors and (fortunately for co-founders Tom Anderson and Chris DeWolfe) investors with fat checkbooks. But with its purchase by Rupert Murdoch's News Corporation, MySpace has gone from freewheeling, easy-living Web start-up to establishment player. And as it reluctantly approaches maturity, MySpace has new challenges to face, securing advertisers and innovating new features chief among them. Oh yeah - and a pesky little start-up called Facebook...
...oversimplify with my usual abandon, I'd say that Pixar movies are animated features in the old, elevated Disney style, and DreamWorks films are flat-out cartoons, proud to be descended from the knockabout traditions of Warner Bros. (Bugs Bunny) and MGM (Tom and Jerry). You can spot the difference in the kinds of stories each studio favors. Pixar makes movies about couples - guy-guy in Toy Story, Monsters Inc., Cars, Ratatouille and this summer's Up; guy-gal in Finding Nemo and WALL-E - who build a relationship out of initial antagonism and shared need. In other words, buddy...
...grown. Unlike the Clinton health-care campaign that ran aground in 1994, the Obama White House's plan is to give Congress the lead in fashioning health-care-reform legislation. And the two Democrats who had been expected to spearhead that task have been sidelined. Former Senate majority leader Tom Daschle withdrew his nomination to be Obama's Secretary of Health and Human Services in early February amid revelations of tax problems, and Edward Kennedy, chairman of the Senate Health Committee, has had to work behind the scenes as he battles brain cancer...
...What's your opinion of Tom Vilsack, Obama's new agriculture secretary...
...true calling. When this dream doesn’t materialize immediately, he decides to accept the first job he can find and ends up becoming the road manager for Buck Howard, a self-important, washed-up mentalist hoping to relive his former fame. Troy’s father (Tom Hanks, both on screen and in reality) cannot understand his decision—and neither can the audience. Buck Howard (John Malkovich) is nasty in person and not very talented on stage. His signature fist pump of a handshake and the catchphrases that turn up in every performance quickly become tiresome...