Word: tombful
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Dates: during 1990-1999
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...place of rest, in fact, that the ballet reaches its emotional peak. In this production, there is no scene of reconciliation between the Capulets and Montagues after the deaths of their children. Instead, we end with collapse of Romeo and Juliet, in a passionate embrace, in front of the tomb--an image that's striking in its very simplicity, and that comes closest to capturing the full power of Shakespeare's play.Boston BalletArtistry and technical finesse make PATRICK ARMAND and POLLYANA RIBEIRO an ideal Romeo and Juliet...
...restrictions. They'd have characters flash back from old age to youth and back again (requiring split-second makeup applications) or dream up odd location scenes. Coe's own script, This Time Next Year, called for the ghost of Ulysses S. Grant to materialize at Grant's Tomb. The actor playing Grant was to jump into an NBC limo and get uptown in time for the "remote." But there was no limo. So the actor hailed a cab and, in full Grant regalia, ordered, "Take me to Grant's Tomb...
...Taking herself into the Egyptian desert, Morrow works as a kind of archaeologist of the living world, digging for meanings as she watches cranes, catches "sundogs" and learns that the saddle-bill stork in the first hieroglyphs represented the soul. Language, she recalls, quoting Emerson, is "a sort of tomb of the Muses... Language is fossil poetry...
...Christmas tree is a secular symbol of the season. There wasn't a glimmering pine tree beside the manger on the first Noel, just as there wasn't a bunny hiding eggs in the tomb on Easter morning. There's a lovely story about a lost woodcutter led home by fairies placing lights on trees, and the evergreens could be a pagan tradition incorporated into seasonal preparations, but nothing holy is involved. For that reason, Christmas trees do not deserve protection as religious symbols...
This is the Middle Eastern equivalent of a mob of whites torching a black church, killing parishioners and burning its holy objects. Yet, while the tunnel received enormous coverage complete with diagrams, the desecration at Joseph's Tomb, if reported at all, merited at most a few sentences. And a similar Palestinian attempt to firebomb Judaism's third holiest shrine, Rachel's Tomb in Bethlehem, received in the major American press no mention at all, save one in the New York Times--in a picture caption on page...