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Pfeiffer, from Orange County, Calif., is one of four children born to an air-conditioner retailer and his wife. "I was a tomboy," she says, "always beating somebody up. The comments on my report card said that I needed to work on my mouth -- I talked way too much. Then, in fourth grade, boys started to find me attractive, so I put away my boxing gloves." At school Michelle acted up; at home she acted out. "I'd sing into the garden hose and pretend I was Elvis," she recalls. "Whenever I'd try to con my mother...

Author: /time Magazine | Title: Cinema: Mafia Princess, Dream Queen MARRIED TO THE MOB | 8/22/1988 | See Source »

...picture has a jaunty air -- a Truffaut paean to childhood, set to a silly, danceable beat. In this village everyone is ripe for fond laughter: the uncle whose rapport with Ingemar puts his wife at a distance; the old lodger whose only pleasure is reading lingerie ads; the tomboy who bandages her breasts to masquerade for a last summer as one of the boys. At the picture's heart is the irrepressible Glanzelius, an imp from a cathedral cornice. This ageless face has seen it all; Dog works because the little boy in Ingemar is eager to see more...

Author: /time Magazine | Title: Cinema: Hard Rites Of Passage | 2/22/1988 | See Source »

...Atlanta suburbs. "The house is real sequestered away from people," says Hunter in a lilting twang punctuated by the occasional dadgummit. "The farm isn't groomed -- there's a kind of wildness to the place. It's beautiful, a little Nirvana down there." Holly was the willful tomboy. "My father did not approve of my learning to drive a tractor," she says, "which is probably why I'm so stubborn. He made the rules, and I broke them. But, like everyone who grows up on a farm, I got a working knowledge of life and death and what goes...

Author: /time Magazine | Title: Show Business: Holly Hunter Takes Hollywood | 12/21/1987 | See Source »

...American past. Wright Morris once wrote of Norman Rockwell that his "special triumph is in the conviction his countrymen share that the mythical world he evokes actually exists . . . He understands the hunger, and he supplies the nourishment. The hunger is for the Good Old Days --the black-eyed tomboy, the hopeless, lovable pup, the freckle-faced young swain . . . sensations which we no longer have but still seem to want; dreams of innocence before it went corrupt." Reagan also understands the hunger. He does not delve cynically into the layers of American memory. He is not as mythically cute as Rockwell...

Author: /time Magazine | Title: Ronald Reagan: Yankee Doodle Magic | 7/7/1986 | See Source »

Another example of the reviewer's carelessness is the obvious misunderstanding of the character of "Patty." Krause writes that Jennifer Joss has mistakenly portrayed Patty as "a shallow, bubbly, valley girl" when she should be an "irritating tomboy." In fact, it is Krause who is mistaken. The character of "Patty" in the musical is based on Schultz's earlier and entirely different character of "Patty," not on the more recent comic strip character, "Peppermint Patty...

Author: NO WRITER ATTRIBUTED | Title: Condescension | 5/14/1986 | See Source »

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