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Word: tomei (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...political amnesty and boatlift of 1980 that promises to reunite them. It's another Perez, no relation, who gives them a new life utterly unlike the one they yearned for all those years. Her name is Dottie. She is a hooker-turned-sugar-cane-cutter, and Marisa Tomei plays her, most wonderfully, as a force of nature, a small hurricane gusting along on her own headlong agenda, ripping the roofs off everyone's expectations...

Author: /time Magazine | Title: CINEMA: FRESH OFF THE BOATLIFT | 5/29/1995 | See Source »

starring Marisa Tomei, Alfred...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

...Perez (Alfred Molina), a political prisoner, hasn't seen his wife Carmela in 20 years, ever since he sent her and their infant daughter to Miami. Memories of Carmela and his daughter kept him alive during his imprisonment, and he desperately looks forward to the reunion. Dorita Perez (Marisa Tomei), a young sugarcane worker, is obsessed with American popular culture, especially John Wayne and Elvis Presley, and has always dreamt of living in the United States...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

...Marisa Tomei is impressive, almost a revelation. This is by far the best performance she has given on film. She mixes the earthiness of her Mona Lisa Vito in "My Cousin Vinny" with the delicacy and luminosity of her Faith in "Only You," and comes up with something altogether different and superior. Tomei gained 20 pounds for the role and has never looked better--voluptuous, sensual, kinetic and delicately beautiful. In addition, her accent is impeccable. She is at times almost steretypically overripe, and yet she creates a genuineness which saves the whole conceit. Every time she is onscreen...

Author: By Joel Villasenor-ruiz, | Title: Paradise Chez Perez | 5/10/1995 | See Source »

GINIA BELLAFANTE'S PAEAN TO THE PRESENT Hollywood crop of young actors, ``Generation X-Cellent'' [Cinema, Feb. 27], devastatingly illustrates the debasement of currency in talent and beauty of today's actresses compared with their counterparts of the 1930s and '40s. Can the dim-bulb performance of Marisa Tomei in Only You (1994) stand up to Carole Lombard's luminosity in My Man Godfrey (1936)? How can Winona Ryder, Uma Thurman, Sarah Jessica Parker and Drew Barrymore compete with Rita Hayworth's Gilda, Gene Tierney's Laura, Ingrid Bergman's Ilsa in Casablanca and Merle Oberon's Cathy in Wuthering...

Author: /time Magazine | Title: Letters, Mar. 20, 1995 | 3/20/1995 | See Source »

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