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GINIA BELLAFANTE'S PAEAN TO THE PRESENT Hollywood crop of young actors, ``Generation X-Cellent'' [Cinema, Feb. 27], devastatingly illustrates the debasement of currency in talent and beauty of today's actresses compared with their counterparts of the 1930s and '40s. Can the dim-bulb performance of Marisa Tomei in Only You (1994) stand up to Carole Lombard's luminosity in My Man Godfrey (1936)? How can Winona Ryder, Uma Thurman, Sarah Jessica Parker and Drew Barrymore compete with Rita Hayworth's Gilda, Gene Tierney's Laura, Ingrid Bergman's Ilsa in Casablanca and Merle Oberon's Cathy in Wuthering...

Author: /time Magazine | Title: Letters, Mar. 20, 1995 | 3/20/1995 | See Source »

...appealingly childlike quality. Pitt is the sort of free spirit who might woo a girl by popping wheelies in a parking lot. Hawke would be more likely to take her to his dorm room and show off his John Coltrane collection. Rather than overt sex appeal, actresses like Marisa Tomei and the Parkers project the flustered insouciance of college coeds. They are the smart, pretty girls on campus who keep losing their library cards. Declares Thurman: "I am completely a goofball nerd...

Author: /time Magazine | Title: GENERATION X-CELLENT | 2/27/1995 | See Source »

...Broadway (other productions are slated for Baltimore, Pittsburgh and elsewhere), Slavs! is a series of sketches held together mostly by its cross-pollinating cast of eccentrics. They include the passionate Politburo member identified as the World's Oldest Living Bolshevik (first seen in Angels), the ferociously bored lesbian (Marisa Tomei, in a sly, engaging performance) who guards the aforementioned brains, and an eight-year-old girl whose grandparents were exposed to radiation and passed down to her a genetic flaw that has rendered her mute...

Author: /time Magazine | Title: THEATER: Red Sunset | 1/16/1995 | See Source »

...perspective on career men and women. Henry Hackett (Michael Keaton), metro editor for the Sun, a New York City tabloid, has to worry about a local race crime -- or is it a mob rubout? -- on a day when he should be thinking about his pregnant, ex-reporter wife (Marisa Tomei) and the cushier job she wants him to take at an uptown daily. There are clever doses of cynicism and office politicking, but at heart The Paper wants to be a Front Page for the New Age; most of the tough talk is about ethics. "It was always the truth...

Author: /time Magazine | Title: CINEMA: Take Two Tabloids and Call Me | 3/21/1994 | See Source »

...fast track, The Paper often slows down to lend its galaxy of star types (Robert Duvall, Jason Alexander) a hint of dimension to their roles. But these subplots aren't much more sophisticated than those in The Wizard of Oz: Duvall gets a heart, Close a brain, Keaton courage. Tomei gets a baby -- and gets left...

Author: /time Magazine | Title: CINEMA: Take Two Tabloids and Call Me | 3/21/1994 | See Source »

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