Word: tomlin
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...Late Show. Art Carney trudges through the role of washed- up shamus Ira Wells, opposite Lily Tomlin's hippy-dippy hippy, who hires Wells to find her cat and leads them both into a big mess of a sinister inbroglio. Robert Benton, screenwriter and director, does a lot of borrowing, from both classic and more recent detective flicks, but does his cribbing in style. The actors, meanwhile, are heavily, and affectingly, into themselves: particularly the kharma and vibrations-obsessed Tomlin. With the same L.A. backdrop that the great Chandler stories grew out of, this one proves as well-oiled...
Call Diane Keaton, the shy, gangly, lost-and-found soul who is Annie in Annie Hall, the funniest woman now working in films. Small praise. Give or take Lily Tomlin, it is hard to think of another woman now being funny in films...
Pryor's colorful vulgarity found an S.R.O. audience, not in Las Vegas but on the concert hall circuit. Writing, he dis covered, came naturally. He wrote part of Mel Brooks' Blazing Saddles, several segments of Sanford and Son, and parts of two Lily Tomlin specials. Acting came just as naturally. If he never said another funny word, Pryor could undoubtedly make it as a major Hollywood actor. Says Michael Schultz, director of Greased Lightning: "He can do the same scene ten different ways-all of them right...
...boys at NASA. The poor fellow has to gulp down gallons of blood in order to keep from liquefying. Universal Pictures plans to remake The Thing from Another World, originally directed by Howard Hawks in 1951, and The Incredible Shrinking Man (1957), which will star Lily Tomlin this time as an incredible shrinking woman. Even the Disney studios are joining the sci-fi follies with a new kid flick titled The Cat from Outer Space...
...days, and it will come to rub shoulders with 8 1/2, Grand Illusion and other charter members in the pantheon of cinema. Robert Altman reveals the bankruptcy of the American psyche without one blink of the eye, using the country music world of Nashville as his chosen microcosm. Lily Tomlin made a giant leap towards her current cover-story stardom in the role of the gospel singer who staves off Keith Carradine's rakish advances. Both Geraldine Chaplin and Shelley Duvall are wasted in limiting characters that flirt with the stereotypical throughout the film; in any case...