Word: toms
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Dates: during 1930-1939
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...Senate's oratorical display was not enough to keep the galleries from emptying. After Idaho's Borah and Nevada's Pittman had fired the opening rockets against and for repeal of the arms embargo, the rest of the show was anticlimactic. Two days later bulbous Tom Connally of Texas, his wavy grey locks disheveled, roared for repeal for two hours and 45 minutes. For two hours and three minutes Michigan's Vandenberg played hard for his stake in 1940 (TIME...
...something to say about how the New York vote goes in 1940. Old-line Democrats and Republicans do not forget that the American Labor Party in 1937 gave New York City's Mayor LaGuardia his winning majority, narrowly saved Democratic Governor Herbert Lehman from defeat last year by Tom Dewey...
Night of the Poor is the answer to that question. Like The Asiatics its only plot is a record of travel, but this time the traveler is a 17-year-old boy bumming his way south from Wisconsin to his home in Texas. Tom starts out with his friend Pete, a mindless blond giant with curly hair on his chest who almost immediately mag netizes a colored farm girl, troubles Tom's flesh by getting as far as taking down her dress before he remembers to send Tom away. This scene, equal parts Steinbeck and Pierre Louys, is followed...
...Tom resembles the hero of The Asiatics in his magic immunity from hunger, accident, fatigue. When Tom loses Lucy he knows he'll see her again simply because Lucy is going to Texas, too. A pursued gangster gives him a ride in a big, black Hudson; he lives on an occasional hamburger, sleeps happily in thickets, in barns, on lawns. The little towns of the Midwest, the hitchhikers, lunchroom girls, farmers, high school kids, old people, down-and-outers, all pass by in Prokosch's limpid prose, phantasmagoria hauntingly created but incredible in a landscape sensuously seen, smelt...
...readers accompany young Tom through the night when he sees a rape and a lynching, through barren Mississippi and Louisiana into Texas, they may feel that if The Asiatics and The Seven Who Fled could be accepted as truth in Oklahoma, Night of the Poor cannot be so accepted this side of Teheran. The language of Prokosch's Americans is a salty, sometimes melodious mimicry, but it rings false too often in such mixtures as "One can't be sure of nothin'. . . ." He speaks of "oil wells burning through the moth-hung night" in Texas, when...