Word: toms
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...screened the demon-sheep spot. "Do you go into it knowing it is going to get negative blowback? Absolutely you do. But at the end of the day, my only goal, and the campaign's only goal, is to get people to wake up to the fact that what Tom Campbell's telling you may not be the real Tom Campbell...
...being laughable or a rip-off are that the chef totally believes in it and that it celebrates a very real value: the value of fresh fish. It's easy to make fun of the New Naturalism, but at its heart is an almost Shinto-like reverence for nature. Tom Colicchio, who helped found the modern green-market-gastronomy movement at Gramercy Tavern and then Craft, says, "Some people think manipulating food is the job a chef does. It isn't. Flavor comes first. You treat it with respect and keep its natural taste. I want people...
Indeed, the tension between Vasquez and Jim Fletcher, who has a commanding, albeit one-dimensional presence as Gatsby, is similarly underdeveloped—a fact most evident in a critical scene when all the major characters are gathered together in a hotel room, and Tom Buchanan (Gary Wilmes) finally realizes that Daisy loves Gatsby. The actors are helped tremendously by smart blocking—Jordan Baker and Nick, like spectators, face a triangle formed by the aforementioned trio—yet Vasquez fails to translate her torn anguish, Fletcher his overwhelming yearning, or Wilmes his bridled fury...
...that could easily serve as the set of Samuel Beckett’s bleak “Endgame.” Yet these surroundings emphasize the mainstay of Fitzgerald’s work. As the play progresses, and the narrator comes to realize the careless arrogance that defines Daisy, Tom, and Jordan, the backdrop remains a stark foreshadowing of what lies beneath the lavish glamour of these characters. Stripped of their displays of wealth, the three characters are as cold and unfeeling as the world ERS has created around them. As the set reminds us, even Gatsby has clung...
Light designer Mark Barton’s work does not suffer from the same problems created by the sound design. Bright lights beautifully convert the dingy office into an extravagant party and, in one magnificently lit scene, the tense hotel room where Tom confronts Gatsby and Daisy about their affair...