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Word: tonal (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Tonal Anguish. What the audience did notice was that there was nothing minor about Maag's conducting talent. He has all the requirements for a superior conductor of Haydn and Mozart -a faultless sense of classical proportion and a keen ear for blended Mozartean sonority that allows important detail to come through crisply...

Author: /time Magazine | Title: Conductors: Aimez-Vous E-Flat? | 9/6/1968 | See Source »

Logical Extremes. Born of a solid landowner family in 1883, Webern was trained as a musicologist at the University of Vienna. In 1904, while still a student, he met Arnold Schoenberg and became his lifelong friend and disciple in the cause of overthrowing tonal music. In many areas Webern took Schoenberg's innovations and carried them to logical extremes. When Schoenberg dissolved traditional tonality but continued to work with late Romantic forms, Webern dissolved those too. He obliterated vertical harmonies, broke up melodies into one-or two-note fragments for each instrument and swept away all sense of development...

Author: /time Magazine | Title: Composers: Pianissimo Prophet | 8/16/1968 | See Source »

...Korte, and played them with an ease and elegance rare among American chamber- music makers. Where most native groups feature a sharp-edged attack that glitters most brightly m contemporary music, the Beaux-Arts glides throughout the reper tory with a silken, unruffled sheen and a cozy, old-world tonal blend...

Author: /time Magazine | Title: Chamber Music: Living & Making a Living | 4/12/1968 | See Source »

...high level of quality throughout. The piece's major fault is that it lacks any logic to carry the listener through. The serial composition is by the composer's own admission, a musical almanac "going from Beethoven to Schoenberg in five minutes." Harmonically it shows a startling resourcefulness, both tonal and non-tonal. Particularly amusing was the recurrence of a particularly slushy theme, either because of the humorous contrast with Pousseur's art, or perhaps due to its explicit banality in the Pousseur context...

Author: By Stephen L. Weinberg, | Title: Henri Pousseur | 3/2/1968 | See Source »

Learning Vietnamese is appropriately perplexing. With its six distinct tonal levels, it is as hard to master as the country's current politics and history. To sift through the grammar is easy enough but the tonal business is frustrating. One word may have two, three, or even four completely different meanings depending upon the pitch and stress you use. There is a well-known and true story of Robert McNamara's difficulty with the language on his frequent visits to Saigon. He likes to make a small pleasantry to his Vietnamese audience--usually "Vietnam for 1000 years." Unfortunately his aides...

Author: By Lawrence A. Walsh, | Title: Vietnam: An Outside Perspective | 1/24/1968 | See Source »

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