Search Details

Word: tonal (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...singers worth investigating are Karen James and Jack Elliott. Karen James hails from Canada, and is recorded on Folkways. The title of the album is "Karen James" (oddly enough). Her voice has many of the piercing tonal qualities of Peggy Seeger and Jean Ritchie, and she sings some very fine versions of Old English (Child) ballads, together with some fair-to-middling satirical songs. Jack Elliott sings the songs of Woody Guthrie on a Prestige International release, of which the finest is "Pretty Boy Floyd." Unlike many singers of "songs of protest," Mr. Elliott can play the guitar...

Author: By Merry W. Maisel, | Title: New Trends In Folk Music | 12/15/1961 | See Source »

...music called bop which arose in the mid-40's represented a radical enlargement of the tonal and rhythmic language of traditional jazz. Yet it became clear after a few years that bop had its own limitations, but it had developed certain specific conventions within which only the greatest improvisors could flourish. When these improvisors were not forthcoming, some, like Horace Silver, worked out partial solutions, but these were largely formal in nature...

Author: By Ron Brown, | Title: THE MUSIC BOX | 12/15/1961 | See Source »

Although Thelonius Monk was a significant creator in the new jazz of the '40's, he reached real maturity in about 1957 with the Brilliant Corners LP on Riverside (12-226). Monk was a pioneer in the controlled use of space in his writing and playing, and his tonal practices are totally original. He is also one of the great wits of jazz. Try one of the several records on which he appears as a solo pianist. Cecil Taylor occupies the position of enfant terrible of the piano which Monk once held. His music--sometimes only peripherally music--consists largely...

Author: By Ron Brown, | Title: THE MUSIC BOX | 12/15/1961 | See Source »

...Davis performance, the voice does only half the job, and maybe less than that. His guitar becomes an animate creature, vital to the song. Unlike so many of the new style folk performers, Davis uses his guitar to provide more than a tonal background. Often the guitar will answer the voice or repeat the melody; sometimes Davis just starts singing a phrase and trails off, letting the guitar pick up the melody and finish it. This is done so skillfully (and perhaps in some cases unconsciously), that the listener hardly notices the change in instruments...

Author: By Joseph M. Russin, | Title: Gary Davis | 11/24/1961 | See Source »

...Musica's augmented Motet Choir, a thirty-five member group including six countertenors and ten boy choristers from New York's Little Church Around the Corner. The instrumental section consisted of two sackbuts, a shawm and a cornetto. This ensemble produced a terribly impressive, almost ethereal range of tonal coloring that perfectly suited the spiritual splendor of the programme...

Author: By Raymond A. Sokolov jr., | Title: Renaissance Mass at Sanders | 10/10/1961 | See Source »

Previous | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | Next