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Word: tonal (lookup in dictionary) (lookup stats)
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...place of Ormandy's impressionistic tonal colors and blurred instrumental outlines, Reiner offered a lyrically transparent reading in which every phrase stood out as though etched with scalpel. The tempi were firm as bedrock, the contrasts brilliantly modulated. In both Philadelphia and Carnegie Hall, where he repeated the program, Reiner ticked off the beat with tiny flicks of his baton. To his audiences he revealed sculptured details that many had never heard before...

Author: /time Magazine | Title: Music: The Boys from Budapest | 3/24/1958 | See Source »

...Tonal beauty in every section forms the outstanding feature of the orchestra. The winds have always been strong; but now the strings are demonstrating a richness and, at times, even a brilliance. There is very little to complain of in the technical aspect of their present level of performance...

Author: By Paul A. Buttenwieser, | Title: Harvard-Radcliffe Orchestra | 3/8/1958 | See Source »

...synthesis of such a diversity of subjective and objective elements, however, is only partially successful. The rhythm and consistently gaunt imagery give the poem a great amount of tonal unity, but there is little development toward the identity of the artist with his environment that the last stanza professes him to have achieved. Granted the painter may have felt this identity, but it is still up to the poem to help the reader partake of the process. But it's too static and remains as a whole nebulous and gray. Despite its other virtues, there is little light and color...

Author: By John H. Fincher, | Title: The Advocate | 1/7/1958 | See Source »

With its abundant symbolism, the story operates on two levels, plot and metaphor, and needs a more carefully worked out and comprehensive dominant metaphor into which the particulars can fit. Kozol seems to have tried using the seasons this way but never fully develops them. A consequent lack of tonal unity limits the story's achievements, outside of passages taken in isolation, to its shock value. But unified or not, it is almost always funny or slightly frightening...

Author: By John H. Fincher, | Title: The Advocate | 1/7/1958 | See Source »

...could perhaps ask for a little more articulation and more sparing use of the damper pedal in the Scarlatti, but both sonatas--seldom played items--were performed with grace and elegance, and showed to advantage the many tonal colors at the pianist's disposal...

Author: By Joseph Ponte, | Title: Vosgerchian Plays | 8/8/1957 | See Source »

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