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Word: tonalities (lookup in dictionary) (lookup stats)
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...grappling with two problems: how to put her fragments together, and how to do it in terms of color. She has never been a "natural" colorist (black, white, duns and a range of silvery grays, punctuated with the occasional splotch of crimson or ultramarine blue, came easiest to this tonal painter), and quite often her efforts to introject color into her work looked like mere tints imposed on a monochrome structure...

Author: /time Magazine | Title: Art: Spectral Light, Anxious Dancers | 11/9/1987 | See Source »

That was, and remains, the Mastroianni character. But Mastroianni the artist is more complex, a creator of delicious surprises and subtle tonal shifts. Romano, the ebullient loser he plays in Nikita Mikhalkov's Dark Eyes, is a virtual anthology of Marcello males, and the actor finds vibrant life in each of them. In his rich wife's mansion Romano is the buffoon philanderer, tiptoeing toward domestic calamity. At the spa he is the exuberant courtier, wading into a mud bath to retrieve a woman's hat. On business in Russia he is the dapper salesman, mainly of himself. And years...

Author: /time Magazine | Title: Show Business: Cary Grant, Italian Style | 10/12/1987 | See Source »

...Harbison. His music is approachably tonal without being obvious; a Harbison tune is less a hummable melody than a strongly profiled motif designed to forward the musical argument, not seduce the ear. His structures are sturdy,his orchestration is crisp and clean. Yet this is not the dread "Princeton School" music of baleful repute, the arid note spinning that often characterizes the works of Ivy League composers like Milton Babbitt. Harbison, who as a teenager played jazz piano and who at Harvard led the Bach Society Orchestra, is an academic with a heart...

Author: /time Magazine | Title: Music: New Life for the Invalid | 6/1/1987 | See Source »

...Manet had done a century earlier in his paintings, Klein recognized in the suspended gaze one of the chief signifiers of the modern temper. But judged by the canons of good photography, those pictures looked fumbled, invertebrate. Klein's anarchic strengths went unappreciated by eyes looking for nice tonal gradations and the standard ironies. Where were the compositional ligaments that held even the airiest Andre Kertesz photo in an iron fist? Where was the fine printing? For that matter, where was the subject...

Author: /time Magazine | Title: Photography: Come On, Baby, Do the Locomotion | 3/9/1987 | See Source »

...minorities into submission in the jungleland classic "Tropical Zone." The movie's soundtrack, probably a valuable primer to Reagan's foreign policy, was drowned out by the thrashing feedback screaming out of the Dinosaur's tapedeck. "Man, this band really sucks," he decided, replacing it with a virtually identical tonal mash...

Author: By John P. Thompson, BRAIN LINT: | Title: BRAIN LINT | 2/23/1987 | See Source »

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