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Word: tonalities (lookup in dictionary) (lookup stats)
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...performance was concerned if not musical excellence was probably Ravel's Daphnis and Chloe Suite. Here both the orchestra and the conductor were in their element. A completely impressionistic work such as this requires deep understanding, and the orchestra, which has been seated differently to create a different tonal effect, certainly gave it that...

Author: By Brenton WELLING Jr., | Title: THE MUSIC BOX | 11/3/1949 | See Source »

...Touching Image. In some ways, Strauss the man mirrored the strengths and weaknesses of his music. Even to the late admiring critic, Lawrence Gilman, he was a composer who could "mold a beautiful or touching or heroic tonal image, and then distort it by scrawling a bad joke somewhere on its surface." He was a man who composed a great symphonic poem about his own sometimes mean and usually money-grabbing life and called it Ein Heldenleben (A Hero's Life...

Author: /time Magazine | Title: Music: Ein Heldenleben | 9/19/1949 | See Source »

...brass and woodwinds as a music reviewer. For 30 years, in covering his "strange dichotomy," first for the Guardian and now for the Kemsley newspapers (the Sunday Times, the Sunday Chronicle), Cardus has played a deft prose symphony of his own that weaves through both his fields the tonal majesty of one, the rhythmic action of the other. The result bewitches more readers than it baffles...

Author: /time Magazine | Title: The Press: Thin-Spun Runs | 7/25/1949 | See Source »

...four of the pianists do the arranging. Each keeps in mind the special talents of the other three. Russian-born Vladimir ("Vee") Padwa, who filled a vacancy in the Quartet in 1942, is the trill expert; Garner likes to handle special tonal colors; Edson is famed for what the others call his "light delicate touch." Viennese Frank Mittler, who looks like a concert version of Actor Frank Fay, quips: "I do the 'dramatic pauses...

Author: /time Magazine | Title: Music: Up from the Basement | 5/23/1949 | See Source »

...doubtful whether the tonal characteristics of the Boston Symphony will change greatly under Munch. There will be shifts among the musicians--there always are--but it is very unlikely that Munch will attempt to completely shake up the orchestra in order to make it sound like a French ensemble. Aside from the impracticality of such a step, Munch looks at the Boston Symphony as a completely different instrument from those he has led in France, not necessar-6The Boston Symphony's new conductor CHARLES MUNCH chats with his predecessor SERGE KOUSSEVITZKY after the Symphony Hall appearance of the Orchestre National...

Author: By F. BRUCE Lewis, | Title: Charles Munch Becomes New Conductor of Boston Symphony This September | 5/12/1949 | See Source »

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