Word: tonalities
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...occasionally, the alternative patronymic of 'Nassau!" as a snapper to the body of our tribal war-cry. It is inferior in phonetic value to both "Harvard!" and "Yale!" But it is infinitely superior to the pinched-up and vocally inexpressive "Princeton!" I am inclined to think that the best tonal effect will be secured by avoiding the repetition of the word (Nassau), particularly if the tempo be a rapid one. Use a single "Nassau" at the end of the cheer, thus: "Nassau!" Note that the explosive accent is on the final syllable, the vocalization fairly well drawn...
...delicate interpretation par excellence. In clearness of enunciation, which is so important for the true enjoyment of the Gilbertian witticisms, and in rapid shading of tone and prompt assertive entrances so inherent in the music, the chorus did outstandingly well. Singing with enthusiasm which nevertheless was confined to tonal and not physical motions, the chorus interpreted the ringing operettas with much success, while Dr. Davison lent his hand with the accompaniments to trace the motivating harmonies and to follow neatly the swift running passages...
...Diaghilev in 1913, was greeted by a riot, the audience shouting so that the dancers, unable to hear the music, continued only by watching the master's beat in the wings. Some even reacted like the Londoner who said it was a "threat against the foundations of our tonal institutions . . . [standing for] all the unnamable horrors of revolution, murder and rapine, and should have been dedicated to Dr. Crippen, the dentist who murdered seven wives in their baths...
More wonderful for its massive tonal quality than for its artistic brilliance was the singing of the 4,000. The roof that has often reverberated with mass advice to fisticuffers, bicycle riders, marathon dancers, reverberated that night with the more melodious, even louder tones of such old-time favorites as Mendelssohn's "On Wings of Song," Bohm's "Calm as the Night," Elgar's "Land of Hope and Glory." Reinald Werrenrath soloed "Danny Deever" until tears rolled down many a cheek. Then he sang "On the Road to Mandalay," assisted in the chorus...
...provides a more exciting display than conservative bodies like the National Academy. Such reputable painters as John Taylor Arms, Pop Hart, Robert Henri, Leon Kroll, Walter Pach. John Sloan (president of the Society) and Claggett Wilson were represented. Among other memorable contributions were Olive Rush's delicate water colors, tonal hints of New Mexican scene and character. Rudolph Tandler showed a briskly drawn and water-colored lighthouse. Attuned to the Moon by Madeline S. Pereny was a rhythmic arrangement of four Negro dancers, four Negro cymbal players and a flautist, all under a glowing moon...