Word: tonalities
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...organ is in the balcony of the Chapel, opposite the platform, and is as large a one as could possibly be installed. It is a notable embodiment of the latest advances in the art of organ construction, combining the highest artistic results in voicing and tonal beauty with the greatest skill in mechanical and electrical details. The better characteristics of the organ of an earlier time have been retained and combined with the more distinctive qualities of the modern organ. Those who have been in charge of the work of installing the new instrument declare that the aim of furnishing...
...used. The instrument has been placed in the balcony opposite the platform, and is as large a one as could possibly be installed. It is a notable embodiment of the latest advances in the art of organ construction, combining the highest artistic results in voicing and tonal beauty with the greatest skill in mechanical and electrical details...
...designing an organ careful consideration is necessary for the size, shape and physical conditions of the auditorium which it is to fill, and the particular place which it is to occupy. The tonal scale was fixed in accordance with these conditions, and the danger in such a large organ of making the tone oppressively heavy and overpowering successfully avoided. Yet the life, buoyancy and moving power of the mass of tone has been abundantly maintained. Those in charge of the work declare that the aim of furnishing the Chapel with an instrument worthy of its environment, broad in scope...
...rendered by G. R. Jones '05 and A. W. Locke '05, and showed the rich tone of the former to full advantage. The playing of L. Mayer '05 in the Romanza, by P. L. Atherton '93 and the Tschaikovsky Humoreske was characterized by sympathetic interpretation rather than by unusual tonal qualities. The Arensky trio for piano, violin and cello, a very difficult piece, was exceptionally well performed by G. R. Jones '05, P. M. Brown '02 and A. W. Locke...
...Symphony Orchestra gave its third concert in Sanders Theatre last night. The one novelty on the programme was a suite by Josef Suk, highly descriptive and imaginative in its conception. The music was fascinating, to say the least, the composition of the quieter moods, in particular, being rich in tonal qualities and dignified in treatment. Mr. Bogea Oumiroff, the soloist, sang an Aria from Mendelssohn's "St. Paul," and three songs by Dvorak, Brahms and Grieg; the two last-named were especially well rendered. The other orchestral numbers were Beethoven's 4th Symphony and Wagner's "Kaisermarch...