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...best known for his delightful 1973 opera Transformations, was delivering orchestrations right up to the dress rehearsal, but the seams don't show. From first note to last, Liaisons is a finely polished work that achieves a French transparency, sparingly invoking Debussy (not Pelleas but Images pour Orchestre). Unabashedly tonal, although hardly reactionary, the score glows with a luminescence too long absent from modern opera, and especially opera in English; for an equal, one must go back to Britten's Death in Venice (1973), which Liaisons resembles musically in many small ways...

Author: /time Magazine | Title: MUSIC: The Mating Game | 9/26/1994 | See Source »

...years was lush and trivial. The drawing is submerged in weak, declamatory, wambling brushstrokes; the color -- mostly pink -- is bright and boring. Yet you could never write De Kooning off. He came back in the late '70s with some big, rapturously congested landscape-body images with a deeper tonal structure that, though they do not support the comparisons to late Monet, Renoir, Bonnard "and, of course, Titian" that David Sylvester makes in his catalog essay, certainly confirm that the movement of De Kooning's talent was not on-off, but ebb and flow...

Author: /time Magazine | Title: ART: Seeing the Face in the Fire | 5/30/1994 | See Source »

Through Dec. "Shades of Significance: Tonal Values in abstract Art." From its origins in Cubism, through its dominance of the post-war American art scene, to its current co-Existence with other approaches to imagemaking...

Author: NO WRITER ATTRIBUTED | Title: This Week at Harvard | 4/7/1994 | See Source »

Through Dec. "Shades of Significance: Tonal Values in Abstract Art: From its origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: By Kelly T. Yee, | Title: This Week at Harvard | 3/17/1994 | See Source »

Through Dec. "Shades of Significance: Tonal Values in Abstract Art.: From its perceive origins in Cubism, through its dominance of the post-war American art scene, to its current coexistence with other approaches to imagemaking...

Author: By Kelly T. Yee, | Title: This Week at Harvard | 3/10/1994 | See Source »

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