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...complete the program: H. Emerson Whithorne's "Aeroplane," a tonal attempt at flight which taxied furiously without quite getting off the ground; III. Frederich Shepherd Converse's "Elegia Poem," from the melody of an old Negro slave song; finally two foreign compositions as a sop: the Mozart G Minor and Stravinsky's Fire Bird...

Author: /time Magazine | Title: Red Rhapsody | 1/31/1927 | See Source »

Last week the diplomatic pressure from both sides eased off into a prolonged flourish of bugles, which may or may not have contained a note or two from the bourgeois-terrifying "Internationale." M. Rakovsky accepted the deafening blast ordered by M. Doumergue at its full tonal value. Smiling, he nodded to the buglers as he entered the palace of the President to present his credentials...

Author: /time Magazine | Title: Foreign News: Bugle Blast | 12/21/1925 | See Source »

Before a great company of notables the new Steinway Hall, Manhattan, was opened last week. Willem Mengelberg conducted 35 Philharmonic players through the tonal roast beef of Beethoven's "Dedication of the House"; Josef Hofmann exquisitely played his own "Sanctuary" (composed under the name of Dvorsky); millions listened on the radio. Among the guests, with bustling pride, moved four gentlemen who have made their money in the piano business-Henry, Theodore, William, Frederick Steinway (TIME, June 29), grandsons of the original Heinrich Steinweg...

Author: /time Magazine | Title: Music: Steinway Hall | 11/9/1925 | See Source »

...tonal mass," "plastic power," went away well content that if they had not passed the final dicta on Manship, they had, at least, put marble into words. The attendants at the Scott and Fowles Gallery, hearing these phrases, as indeed they were often expressly intended to, were not guilty of visible leers. They had been trained by long service to realize that loose verbiage, when applied to beauty in bronze and stone, is not necessarily an evidence of slovenly culture. They had tried, these attendants, to expound, from time to time, on various objects to the spatted or braceleted clients...

Author: /time Magazine | Title: Arts: Manship | 2/16/1925 | See Source »

Signer Fortune Gallo is not enthusiastic about music. Some people even think he cherishes a vigorous dislike for all tonal art-and especially for opera. Nevertheless, he is an efficient and successful maestro of impresario, bringing back his San Carlo Opera Company season after season with powers undiminished and spirits unabated. He may possibly hate music, but he loves his company and lives for it alone-which is perhaps all that one ought to demand...

Author: /time Magazine | Title: Music: San Carlo | 10/6/1924 | See Source »

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