Search Details

Word: tone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...President, speaking to a relatively similar audience, had used the same theme, but with a more positive tone. To him there seemed to be no evil inherent in neutralism; in fact, he stressed the necessity for strength in the new countries, not the necessity of their joining Western military alliances...

Author: NO WRITER ATTRIBUTED | Title: The Neglected Neutrals | 11/28/1958 | See Source »

...also been fecund in pseudo-epigrams ("A doctor without a disease is like a poet without a passion--a mere strummer"), and little tepid fancies (an inefficient, effeminate angel who receives celestial rebukes from the sound-effects man whenever he says, "Oh, God.") Mr. Moss writes in a tone of unflagging, unconvincing elegance, less Wilde than woolly...

Author: By Julius Novick, | Title: The Folding Green | 11/26/1958 | See Source »

Barbara's throaty roar has often made critics mention her name in the same breath as Blues Singer Smith's. She has the same spine-grabbing talent of "bending" a note-hitting her target, then turning on the power as she slides a quarter tone above or below. After Barbara appeared with Louis Armstrong at the Pasadena Jazz Festival last month, the master called an agent cross-continent and gave his own estimate: "Did you get that chick? She's a gasser...

Author: /time Magazine | Title: NIGHTCLUBS: A Gasser | 11/24/1958 | See Source »

...news of her life to Fellow Journalist (Coronet) Gerold Frank, whose ghost-written accounts of lost and love-shorn ladies (Lillian Roth's I'll Cry Tomorrow, Diana Barrymore's Too Much, Too Soon) have made him a leading sob brother. He achieves a confidential tone that rarely confides, a vulgarity that is everywhere in the air but never down-to-earth, and a range of emotional responses as they might be felt by paper dolls...

Author: /time Magazine | Title: Books: Honi Soit Qui Malibu | 11/24/1958 | See Source »

...main reason for the success of this type of concert is the participation of two excellent choruses which are quite different in character and style. The Harvard Glee Club is very large and has a deeper tone than the smaller Yale group. The latter has a lighter quality, emphasizing balance and cohesion, showing itself best in works which are essentially chordal, while the Harvard chorus is strongest in polyphony. The Yale group is perhaps more adapted to performing on its own, and its tone is more rounded, having a sort of sophisticated barber shop quality; while the Harvard chorus sounds...

Author: By Paul A. Buttenwieser, | Title: Yale-Harvard Glee Clubs | 11/24/1958 | See Source »

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