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Word: tone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...electric violin that enables the player with a puny tone to boost it merely by twisting a couple of knobs on the belly. Says a salesman: "It might lay an egg; then again, it might be the hottest thing in the country." Price: about...

Author: /time Magazine | Title: Music: By the Numbers | 8/11/1958 | See Source »

...experimenters ran out of experiments; the four-letter words migrated to clothback books and the little magazines were left without shock value. The surviving quarterlies, usually backed by rich men or foundations and run by professors, have taken on the ivy-clad tone of a graduate faculty tea. Critics quarrel with critics in thin, querulous prose, and authors are made to feel unwelcome...

Author: /time Magazine | Title: The Press: Big Little Magazine | 8/11/1958 | See Source »

...abilities of that instrument. The piece was a study in dissonance, brought about by playing on two strings at once. The multiple-stopping was at times very difficult, but Eleftherios Eleftherakis played brilliantly for the most part. The piece and its performance were marked by a great richness of tone and lucidity...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

Both Des Todes Tod and its successor on the program, Die Serenaden--a little cantata on Romantic texts for soprano, oboe, viola and violoncello--approached Hindemith's orchestral ideal of thick texture, rich tone and extensive contrapuntal treatment, with each instrument going its separate way. In "Der Wurm am Meer" in the second group of pieces in Die Serenaden, all four elements had different melodies that combined to form a coherent and colorful whole. Such terms might be used to describe the whole program...

Author: By Peter Lindenbaum, | Title: Hindemith Concert | 8/7/1958 | See Source »

...Levey, drums; Fantasy). Trombonist Harris, who sometimes sounds as if he were blowing through several folds of velvet, is the weakest operative on an album chiefly distinguished by the pensive unfolding of some fine solos by Saxman Webster. In Where Are You?, I Surrender, Dear and In a Mello-tone, Webster articulates his longings with spacious ease and a tone as husky with melancholy as a distant-sounding foghorn...

Author: /time Magazine | Title: Music: Jazz Records | 8/4/1958 | See Source »

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