Search Details

Word: tone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...supporting roles are adequately handled and the humor is played to the utmost. As Andromache, Johanna Shaw overcomes a certain flatness of tone to portray the concerned and anxious wife of Hector. John Beck, doubling as the crafty Ulysses, presents a fine portrait of the experienced and uningenuous Greek ambassador. Christopher Rawson's portrayal of Paris as a complete sensualist involved an excessive number of effeminate hand-on-hip gestures...

Author: By Carl I. Gable jr., | Title: Tiger at the Gates | 11/20/1959 | See Source »

...first half of the evening found the Choral Society alternating between uneasiness and an unusually lacklustre manner, with even their dependable tone sounding either shrill or dead. By contrast, the second part exhibited the familiar spirit and high quality of the chorus, especially in three beautiful Welsh folksongs arranged with taste and imagination by the Society's conductor, Elliot Forbes...

Author: By Paul A. Buttenwieser, | Title: Choral Society and Dance Group | 11/19/1959 | See Source »

Playhouse 90 (CBS, 9:30-11 p.m.). The irresistible force of political pressures meets what should be an immovable object: a scrupulously honest man. The Hidden Image stars Franchot Tone, Martin Gabel, Nancy Marchand and George Grizzard...

Author: /time Magazine | Title: Time Listings: CINEMA | 11/16/1959 | See Source »

...casting. Tosca and Cavaradossi must be sophisticates; they are people of passionate conviction, important in the world of fashion and art. As portrayed by Lois Marshall and Thomas Hayward, the lovers seemed like the uncertain adolescents of Blue Denim. They sang well, though the round, supple tone of Miss Marshall is well known and pleasing, as is the light, lyric vocalism of Mr. Hayward. The orchestra stumbled through the score...

Author: By Ian Strasfogel, | Title: Operation Opera | 11/13/1959 | See Source »

...Fugue on a Theme by Handel-was studded with wrong notes and blurred acrobatics. But it also had the kind of galvanizing effects that only a first-rate musical mind and heart can convey to an audience. Richter-Haaser's approach, particularly in the "Appassionata," was heroic, his tone boldly ringing, his rhythmic drive irresistible. In the Stravinsky piece, he may have lacked the proper corky bite, but his Brahms had a propulsive, thunderous intensity that swept his audience into a roar of applause...

Author: /time Magazine | Title: Music: Major Pianist | 11/9/1959 | See Source »

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