Search Details

Word: tone (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...automobile accident. By sensitively showing the impact of the death on each person, Agee created a novel full of intensely real emotion. The book is a truly poetic work with unity and power that came from a simple, dramatic plot developed through a musically subtle evolution of tone...

Author: By John H. Fincher, | Title: James Agee's 'A Death in the Family' Tells a Story of Love and Loneliness | 12/5/1957 | See Source »

...three, but Impresario Kelly held firm, and eight it was. She opened with a Mozart aria from The Abduction from the Seraglio, which she did in harsh, mediocre style. With two arias from Bellini's I Puritani, Callas hit her stride, rippling down her famed arpeggios, her tone pure and vibrant...

Author: /time Magazine | Title: Music: Callas in Dallas | 12/2/1957 | See Source »

...played with uncanny accuracy and ease, demonstrated his power by the zing of his attacks, especially in the way he clouted his instrument in loud pizzicato chords. At quieter moments, he laid his cheek against the neck of the cello as if it were a pillow. Shafran's tone was big and creamy, his cantilena as expressive as if words were being sung. Critics raved. Said the Berliner Zeitung: "This artist must be counted among the most outstanding masters of the instrument...

Author: /time Magazine | Title: Music: New Cello Virtuoso | 12/2/1957 | See Source »

...contrast to the cold black and white of this story is the warm gray of Nash's "The Most Proper Tone." It's about a successful history professor's effort to understand his thoroughly unintellectual football player son. Involved in this problem is the professor's general failure to communicate emotionally with other people or even himself. The action centers around a New England prep school football game in which the son takes a leading part...

Author: By John H. Fincher, | Title: The Advocate | 12/2/1957 | See Source »

...though, it seemed as if the writer, no less than the main character, didn't know where he was going and therefore had to spell things out. A selectivity more on the level of that displayed toward the end could have greatly helped the story achieve a "most proper tone" rather than simply a "proper tone." As it stands now, the contrast between the professor's richly erudite language and the normal or sub-normal speech of others often jars rather than enhances the otherwise well-sustained tone...

Author: By John H. Fincher, | Title: The Advocate | 12/2/1957 | See Source »

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