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Word: tone (lookup in dictionary) (lookup stats)
Dates: during 2010-2019
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Usage:

...bland dialogue of the opening scenes pretty much sets the tone for what one can expect from the following hour and a half. As her brother makes reference to her recent arrest, Ronnie replies, oh-so-cleverly, “Jonah, I didn’t do it, ok? Just stay out of it!” It is awkward to watch this seemingly edgy character forced to fit into a family role, especially when she has to balance her soft, caring side for her brother with her bitter hatred for her father. This role is also one that should...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: The Last Song | 4/6/2010 | See Source »

Although this film makes a valiant attempt to depict a moving story of the strength of family bonds, “The Last Song” overshoots the emotional factor by miles. By shying away from the darker tone required of the subject matter, the film is nothing but inert...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: The Last Song | 4/6/2010 | See Source »

...play’s grand finale perfectly exemplifies its tone; it closes with a song called “Something To Point To,” in which the characters describe their accomplishments that led to the creation of a functioning building—working as a guard, running “the crane that lifted the beams,” cutting the lumber, keeping the records, washing the windows, and so on. The take-away point, of course, is that each worker should revel in his or her success...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...song gradually intensifies, boasting, at its climax, full choral accompaniment, deep, forceful piano chords, and the dramatic rumble of orchestral percussion. With a switch to a major key near the end, the song’s brooding quality eventually gives way to a lighter tone, but its passion is maintained. The track ends on a truly epic note, as the full choir’s harmony and the percussion’s deep rumblings ascend to a point of almost religious fervor...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

...back / Reunite like The Wu.” This lyric, slotted into the middle of “Wu Massacre’s” first single, “Our Dreams,” sets the tone for this release by three of the Wu Tang Clan’s most well-known members: Method Man, Ghostface Killah, and Raekwon. However, this is no mere return to the 1990s Wu formula of steady beats and stripped down samples overlaid with brutally compelling raps. Instead the album represents a boldly dynamic approach...

Author: By Colm Dubhrosa, CONTRIBUTING WRITER | Title: Method Man, Ghostface Killah, & Raekwon | 4/6/2010 | See Source »

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