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...more striking when, practically midsentence, her tone and temperature totally change. We have seen Cindy McCain much more than we've heard her until now, and she has always benefited from the element of surprise. It's when she discusses her travels and work overseas that she sounds 20 years younger, eager and unscripted?a hint that, as First Lady, she would use the spotlight to advance her cause. Until very recently, she could just head off and do her thing, have a life far away from Washington intrigue: no cameras, no questions, with missions to Nicaragua, Kuwait, Vietnam, Afghanistan...

Author: /time Magazine | Title: Mrs. Maverick | 8/28/2008 | See Source »

...also believe that Manny was in some ways simpatico to Time, even or especially in its early maturity. Both he and the Luce publication favored wordplay, luscious similes, extreme verbal concision (e.g., a string of adjectives without an "and" before the last one), abrupt shifts of tone, with gags that interrupted the serious analysis - all in the aid of entertaining as well as enlightening or pushing an agenda, and in recognition that getting people to read a magazine required a measure of variety-showmanship. Manny's earlier writing had many of these qualities (as well as many others that Time...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...days before the prizefight. The events - which have progressed west from Eau Claire, Wis., to Davenport, Iowa, and Kansas City, Mo., and move on to Billings, Mont., tomorrow - are modest affairs in which he can test messages and attacks on his opponent, John McCain. And his increasingly wonky, detailed tone is one he says audiences should expect to hear at the convention. "People know that I can give the kind of speech that I gave four years ago," Obama says. "They're more interested in what am I going to do to help them in their lives. So in that...

Author: /time Magazine | Title: Obama's Slow March to Denver | 8/26/2008 | See Source »

...Real Death Race Death Race seems just fine, in its churning turbo-tone, until you watch the film that inspired it. Death Race 2000 was a snarky exploitation film put out by Roger Corman's New World Pictures. The director was Paul Bartel, best known for his elegant horror comedies Private Parts and Eating Raoul. The script, from a story by Ib Melchior, was by two Corman stalwarts, Robert Thom (Wild in the Street, Bloody Mama) and Charles B. Griffith, the seminal creator of early Corman monsterpieces, from It Conquered the World to The Little Shop of Horrors...

Author: /time Magazine | Title: Death Race: Worth a Test Drive | 8/24/2008 | See Source »

...forces like these and the culture clashes they unleashed have dominated American politics for more than 40 years. But Obama approaches these forces historically, anthropologically - and in his characteristic doctor-with-a-notepad style. In The Audacity of Hope, he writes about the culture wars in the same faraway tone he might use for the Peloponnesian Wars. ("By the time the '60s rolled around, many mainstream Protestant and Catholic leaders had concluded," etc.) These fights belong to that peculiar category of the past known as stuff your parents cared about...

Author: /time Magazine | Title: The Five Faces of Barack Obama | 8/21/2008 | See Source »

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