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Word: tone (lookup in dictionary) (lookup stats)
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...Coulter. It is almost impossible to watch her and not be sluiced into rage or elation, depending on your views. As a congressional staff member 10 years ago, Coulter used to help write the nation's laws. Now she is far more powerful: she helps set the nation's tone...

Author: /time Magazine | Title: Ms. Right: ANN COULTER | 4/17/2005 | See Source »

...Newspaper articles have this authoritative tone where everything is presented as fact, but you don’t get how the story is gathered,” Johnson says, speaking in a phone interview last week. For instance, Johnson constantly kept an eye out for Communist Party informants, bicycling alongside a source through the busy streets of Beijing to avoid being overheard. Slowly, Johnson managed to step into the lives of his subjects...

Author: By Irene Y. Sun, CRIMSON STAFF WRITER | Title: Can Communism and KFC Coexist? | 4/15/2005 | See Source »

...controversial nature of the film, which investigates racial tensions and politics in the fragmented L.A. metropolis, was never really a point of contention with Haggis either. “We didn’t tone down anything. If [co-writer] Bobby [Moresco] and I were in our right mind, we would have, but we just decided, it’s truth, it comes from a place of truth, we have to say this…We were very, very nervous. Terrified,” Haggis says...

Author: By Amos Barshad, CONTRIBUTING WRITER | Title: Dillon, Haggis Collide in ‘Crash’ | 4/15/2005 | See Source »

Like most writers, Duchovny borrows heavily from the canon of literature, theater, and film, but he does so sloppily. This movie has the potential to achieve a Shakespearean tone: Tommy’s mom is something of a female King Lear; Pappass is the ubiquitous wise Fool; and Lady is the shrewd and mystical ethnic sorceress. Duchovny’s writing, however, unwittingly directs these characters away from their potential classical allusions and makes them instead into one-dimensional clich?...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: House of D | 4/15/2005 | See Source »

...particular, the subplot of Tommy and Melissa’s teenage romance is very successful; it achieves a level of human emotion that the rest of the film lacks. There are no specific scenes that truly encapsulate this tone; rather, the brief touches of subtle emotion—furtive glances across the playground, an awkward conversation overlooking Central Park, a first kiss—are what make this small portion of the film so good. Duchovny’s camera captures these brief encounters as quick snapshots of isolated emotion that, strung together, approach the sublime...

Author: By Steven N. Jacobs, CRIMSON STAFF WRITER | Title: MOVIE REVIEW: House of D | 4/15/2005 | See Source »

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