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...Mountain Goats performed material mostly off their last two albums and opened with the first track from We Shall All Be Healed, “Slow West Vultures,” a pummeling number that set the tone for the show. The audience happily cheered the second-verse’s driving shout of “Get in the goddamn car!” along with Darnielle, who showed delight at the audience’s enthusiastic reaction...

Author: By Christopher A. Kukstis, CRIMSON STAFF WRITER | Title: An Old Goat Waxes Rhapsodic at T.T.’s | 3/12/2004 | See Source »

...other, wiping away cigar ash from pages of fresh copy. Blair twice refers to the 1994 classic, The Paper, which is itself a throwback and perhaps the greatest newspaper film ever made. And as he recalls his reporting for the Times metro desk, Blair often assumes an annoyingly theatrical tone to mimic the gritty feel of The Paper. “I soon found myself deep in the woods,” he writes, “cutting a path through American and English elms as I walked toward the area where I saw the most police activity...

Author: By Zachary M. Seward, CRIMSON STAFF WRITER | Title: Book Review | 3/12/2004 | See Source »

Though he says he tried not to let the aftermath of the terrorist attacks affect the film as he resumed editing, Green admits that he felt the need to change its tone subtly...

Author: By Simon W. Vozick-levinson, CRIMSON STAFF WRITER | Title: Notes from Underground | 3/12/2004 | See Source »

...Ashura procession were the most popular photographs on Yahoo! early last week, and virtually all the major newspapers and television networks eagerly reported on the self-mutilation ritual before it was overshadowed by terror attacks in Karbala and Baghdad later that day. Though the coverage varied in style and tone, the skewed focus on Ashura’s violent rather than religious aspects seemed to reflect the media’s prejudices as much more than the holiday itself. “Look at these people,” the news reports seemed to say. “look...

Author: By Nathan Burstein, CRIMSON STAFF WRITER | Title: ‘Passion’ in Context | 3/12/2004 | See Source »

Anyhow, with the 2003 film year officially over, we look ahead to a new annum of quality cinema. So far, I’ve been pleasantly surprised, with anticipated stinkers like Miracle and The Dreamers turning out fully palatable. Golden Globe winner Osama, was a bit muted in tone, but nevertheless a sharp portrait of Taliban-era Afghanistan. The biggest revelation of all, though, was my unexpected admiration for The Passion of the Christ, which exceeded my admittedly low expectations to emerge as one of the more meaningful films I’ve seen in quite some time...

Author: By Ben B. Chung and Ben Soskin, CRIMSON STAFF WRITERSS | Title: Possible Sunshine in a Plotless Year | 3/12/2004 | See Source »

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