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...using the unique language of comics is what makes "Mother" so fascinating. For example, the opening dream-like sequence depicts Thomas' father floating around an empty landscape, looking for someone. The colors are muted and deadened. It's a strange scene that through its visual queues sets the tone of the father's state of mind. When Thomas arrives, the colors brighten. At other times the drawing style will "degrade" to a child-like simplicity where all the characters are animals. These sequences act as little metaphors for the dramas in Thomas' mind, as when his aunt and uncle conspire...

Author: /time Magazine | Title: Good Grief | 1/23/2004 | See Source »

...with second or third readings. A similar-looking flower links two different and seemingly unrelated sequences, for example. Not many books make you want to read them at least twice, but this one has enough going on to merit the effort. The only criticism would be of its unleavened tone. Without a sense of humor some of the more experimental aspects of the book come off as pretentious. The peculiar way the book has been presented as the introduction to an apparently fanciful series, for example, seems unnecessarily confusing. In the end, though, we appreciate artists who stretch...

Author: /time Magazine | Title: Good Grief | 1/23/2004 | See Source »

...start, we were building the case against Hussein and looking at how we could take him out and change Iraq into a new country," he tells Suskind. "And, if we did that, it would solve everything. It was about finding a way to do it. That was the tone of it. The President saying, 'Fine. Go find me a way to do this...

Author: /time Magazine | Title: Confessions Of A White House Insider | 1/19/2004 | See Source »

...event sponsored by the Harvard Bookstore, former National Public Radio host Christopher Lydon grilled Albright and Rubin on their tenures, setting the evening’s critical tone by asking the former Clinton cabinet members how to get the government back on track...

Author: By Jessica E. Vascellaro, CRIMSON STAFF WRITER | Title: Albright, Rubin Bash Bush Policy | 1/14/2004 | See Source »

Today Le Carre is hale, white-haired and vigorous. He has a hearing aid discreetly tucked in each ear, but he is otherwise undiminished. His speaking voice is patrician in tone (he was once, briefly, a tutor at Eton), and he quotes fluently from the annals of military historythe British in Suez, the CIA in Iran, the Abkhazian War, obscure, half-forgotten intelligence scandalsbut he is also an almost unnervingly gifted mimic. Over the course of an afternoon, he does, among others, the author James Jones, a snooty French photographer, Truman Capote and Mel Brooks' 2,000-year...

Author: /time Magazine | Title: Books: The Spy In Winter | 1/12/2004 | See Source »

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