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...anything so much as it expects listeners to aspire to the music. Submerged in a seamless ocean of arpeggiated electronic sound, the album affects a reoccurring cycle of freak-pop whose contours range from low-end love songs to psychedelic-dance.The album’s ambitious opener sets the tone. “In The Flowers” seems to emerge from outer space, with Portner’s vocals fading in and out over various layers of keyboard sound, before blossoming all at once into a percussive, anthemic epiphany. Portner’s vocal harmonies with Lennox have never sounded...

Author: By Ryan J. Meehan, CRIMSON STAFF WRITER | Title: Animal Collective | 2/5/2009 | See Source »

...standings, tied with Cornell at the top of the division. In a tight league race in which just three points separate the top four teams, a victory over the Crimson would keep Yale’s strong momentum alive.Yale’s previous three-goal effort set the tone for the game and prevented Harvard from defining the dynamic. Though the Crimson appeared to be mounting a rally in the second period, it was lack of focus and untimely penalties that let Yale run away with the game and drove Harvard to frustration. Both teams took ten-minute game...

Author: By Robert T. Hamlin, CRIMSON STAFF WRITER | Title: Crimson Ready to Take on ECAC Top Dogs | 2/5/2009 | See Source »

...tale of the transformative effect of Tuvia Bielski’s hopeful ideals and undying strength. As such, the death and defeat of the Holocaust is overcome onscreen by Tuvia’s message of possibility and faith. Composers Joshua Bell and James Newton Howard weave a brooding tone into each scene. Though a surprising amount of humor is sprinkled throughout the film, the weeping violins speak to the constant melancholy of the woods, winter, and persecution. Even moments of happiness and hope, such as the wedding scene between Asael and his wife Chaya (Mia Wasikowska), are interspersed with scenes...

Author: By Noël D. Barlow, CRIMSON STAFF WRITER | Title: Defiance | 2/5/2009 | See Source »

...Voletta Wallace (played by a surprisingly stilted Angela Bassett) awkwardly butts in as a second narrator to eulogize her son as the film closes on his triumphant funeral parade. The real Voletta Wallace helped produce the film, so it’s no surprise the movie strikes a hagiographic tone. Biggie either learns from misdeeds (neglecting his young daughter is bad!) or explains them away (dealing crack to a pregnant woman is just part of the game!). The movie lionizes Biggie as a mensch-in-the-making, yet it also bizarrely cites the opening lines to his track...

Author: By Jake G. Cohen, CRIMSON STAFF WRITER | Title: Notorious | 2/5/2009 | See Source »

...will have to twist arms in his own party to tone down the measures, especially since the Senate is currently looking at an even tougher version of the provisions. If he fails to extract the offensive language, Europe may indeed be readying itself for an old-fashioned trade battle...

Author: /time Magazine | Title: Why Europe Is Fuming About the Stimulus Package | 2/5/2009 | See Source »

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