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Word: toneed (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...been assembled in one place to grab onto force-feedback joysticks and to bludgeon, laser-beam and Gatling-gun one another--at least not in peacetime. Halls the size of 35 football fields were jammed with computer- and video-game companies showing off their latest wares, in the understated tone that is a hallmark of such conventions. My fillings still rattle like castanets when I speak...

Author: /time Magazine | Title: It's A Tough Job... | 6/8/1998 | See Source »

...recording with John Coltrane and Cannonball Adderley, was the apotheosis of Cool Jazz. Distilling the music to an almost bare essence, Davis and arranger Bill Evans created a lean, sensuous sound that broke with the intensity of bebop and attracted thousands of new listeners to jazz. Davis' warm, amber tone was the model for a generation of trumpeters...

Author: /time Magazine | Title: Cool Cats, Hot Music And All That's Jazz | 6/8/1998 | See Source »

...music; I loved the investigation of the past," he says. "The sound of it was so beautiful to me." The voice of the Quartets--meditative, grave, sorrowful, but also dry, experienced and harsh--has been important to poets from Wright to John Ashbery, because it allowed the conversational tone of everyday life to enter into the discussion of the deepest subjects...

Author: /time Magazine | Title: The Poet T.S. ELIOT | 6/8/1998 | See Source »

...settling in Hollywood. In 1969 he moved to New York City. (The story goes that when asked why he made such a move at his advanced age, he replied, "To mutate faster.") Over the years, Stravinsky experimented with virtually every technique of 20th century music: tonal, polytonal and 12-tone serialism. He reinvented and personalized each form while adapting the melodic styles of earlier eras to the new times. In the end, his own musical voice always prevailed...

Author: /time Magazine | Title: The Classical Musician IGOR STRAVINSKY | 6/8/1998 | See Source »

...Stravinsky befriended Robert Craft, a 23-year-old conductor who was to become his chronicler, interpreter and, oddly, his mentor in some ways. It was Craft who persuaded Stravinsky to take a more sympathetic view of Arnold Schoenberg's 12-tone school, which led to Stravinsky's last great stylistic development...

Author: /time Magazine | Title: The Classical Musician IGOR STRAVINSKY | 6/8/1998 | See Source »

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