Word: toneed
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Dates: during 1990-1999
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...returned on Saturday night to see it again. Mandel writes one of the worst reviews I have ever read. It is as if she has a personal vendetta against Pablo Colapinto '00, the actor playing Macbeth. She spends the entire article laying into him. She writes: "Speaking in a tone of mingled peevishness and self-pity, he proceeds to recite Macbeth's lines as though he's whining at Fate for giving him such a hard time...
...deserved far more praise than Mandel gave her. To eliminate Colapinto from Mandel's list of quality elements of the show, to attack his work as "poor judgment or sheer incompetence," and to downplay Bishop's excellence, is wrong. Mandel is welcome to her opinion, but the mean-spirited tone of the article was both unfair and unnecessary; the highlighted quotes and headlines only helped Mandel blame any and all problems with the show on Colapinto. Many who read the review were bothered, and I can only imagine just how disconcerting it was to the actors who had to take...
...China's mathematician Zu Chongzhi calculated the ratio of the circumference of a circle to its diameter to be 3.1415926. China's silk-weaving, porcelain-making, metallurgy and ship-building reached the world's best level in ancient times. In the Ming Dynasty, Zhu Zaiyu initiated the 12-tone temperament, which later became the universal standard tones. Chinese medicine is a unique school of its own. China's four great inventions of paper-making, gun-powder, printing and [the] compass [...] changed the face of the world. These inventions and creations of China have brought forward the rationalistic brilliance of coordination...
...haunting opening strains of Schubert's Unfinished Symphony, displaying a rhythmic alliance so perfectly refined that it truly seemed as if only one instrument were present. The placement of the cellos between the second violins and the violas allowed for a heightened clarity, producing a concentrated, almost sinewy tone that typified the Allegro Moderato. The first movement elapsed without any fiery outbursts; Gatti instead focused intently upon the lyric strains of the oboe and clarinet. His conducting was comprised of a fairly conventional fluidity of motion. His baton described tightly restrained circles throughout much of the movement, and only with...
Three years ago, Rudenstine gave the campaign kick-off speech to many of the same audience members in the exact same room. His earlier speech, though, was more personal in tone and emphasized the donors' important role in Harvard's history, citing, among other anecdotes, how Harvard got its first observatory...