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...Already the school record holder, Flahive won the event with a personal best and ECAC-qualifying 3,650 points. Her performance on the first day of competition set the tone for the weekend, as the women’s team ended up finishing a respectable third place among Ivy competitors...

Author: By Kevin T. Chen, CRIMSON STAFF WRITER | Title: Flahive Proves Mettle in Heps Win | 3/3/2009 | See Source »

...Senior Shannon Flahive set the tone on day one with a championship in the pentathalon. Flahive’s 3,650 points marked both a personal best and a qualifying bid for ECACs...

Author: By Max N. Brondfield, CRIMSON STAFF WRITER | Title: Crimson Makes Gains in League Tourney | 3/2/2009 | See Source »

...last years, Harvey's resonance wavered a bit; an occasional vocal crack gave a whimsical tone to the music of his script. But his métier never changed. It remained a mix of headlines, mild fulminations ("Americans, do not protest bone-marrow stem-cell transplants") and lighter-side anecdotes. "Doctors have removed a kidney stone the size of a coconut," he said in late January, adding with a little startle, "seven inches-a across!" He could tut-tut with a smile: "Have you noticed," he asked just before this year's Super Bowl, "some players with hair that sticks...

Author: /time Magazine | Title: Paul Harvey: The End of the Story | 3/1/2009 | See Source »

...clear that they represented one voice.In many ways, the original design of Gray’s performances was preserved. The set consisted of three black platforms, some dark simple furniture on which the actors perched, and a simple backdrop that changed color as the monologues changed in tone and content. Each actor took turns reading Gray’s words from their black binder, occasionally moving around the set but never breaking out of character.The actors resisted Gray’s minimalist aesthetic at times and tried to sensationalize Gray’s emotions, in the process rendering his measured...

Author: By Rebecca J. Levitan, CONTRIBUTING WRITER | Title: At ICA Event, Spalding Gray has ‘Stories Left to Tell’ | 3/1/2009 | See Source »

...salacious energy of jazz combined with ballet creates a fascinating, discordant form of dance reinforced by Igor Stravinsky’s slightly off-key “Capriccio for Piano and Orchestra.” The “Capriccio,” true to its name, changes tone and instrumental focus every minute or so, and at times seems to have two themes playing at once. Similarly, the dancing is playful and slightly confused; typically refined dancers swing their hips, men jog gracefully across the stage, and a couple circle one another, skipping imaginary jump ropes.The curtain opened...

Author: By Catherine A Morris, CONTRIBUTING WRITER | Title: Boston Ballet Dances 'Jewels' | 3/1/2009 | See Source »

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