Word: tonight
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Dates: during 1960-1969
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Middleman. In the end, what Griffin's first week amounted to was more of Carson and Bishop. Any differences were subtle, to say the least. While Carson has Ed McMahon as his sidekick on the Tonight Show, and Bishop has Regis Philbin, Griffin uses his longtime TV majordomo, Arthur Treacher, as a kind of Jeeves. Carson prefers to stand out as the star of his own show, throwing out quips and gags, staging frequent offerings from the Mighty Carson Art Players, and frequently upstaging his guests. Bishop, on the other hand, uses his Los Angeles base to good advantage...
...that he was agitated -but properly so. "My pulse was racing and my ringers trembled as wave after wave of indignation swept over me. And then suddenly Vidal was whispering to me. 'Well,' he said, smiling. 'I guess we gave them their money's worth tonight!' " As for calling Vidal "queer," Buckley apologizes for doing so "in anger," but he still considers Vidal an "evangelist for bisexuality" whose "essays proclaim the normalcy of his affliction and his art the desirability of it." He is "not to be confused with the man who bears his sorrow...
Bastard Twins. Asked about the use of host as a transitive verb, as when Johnny Carson "hosts" the Tonight Show, Princeton Historian Eric F. Goldman wrote: "This is TVese and public-relationese, hardly an improvement over the English language." On the use of like as a conjunction, like in the Winston cigarette syndrome, Writer John Kiernan commented: "Such things as these persuade me that the death penalty should be retained." Isaac Asimov, the lucid science writer, also denounced finalize as "nothing more than bureaucratic illiteracy-the last resort of the communicatively untalented...
...Stadium '69" concert series--which weathered a brief legal squall yesterday--will begin as scheduled tonight with folksinger John Baez...
...countryside--the Band, the Byrds, Dylan, Jimi Hendrix et al are employed as a musical landscape, part of the backdrop of the youth subculture, but hardly integral or necessary. Hopper doesn't explore or celebrate rock the way that Peter Whitehead did with the Pink Floyd in Tonight Let's All Make Love in London or as Robert Nelson did in The Grateful Dead; rather he sticks it in and lets it lay there, guaranteeing large audiences. In my view the film is poorer for it. Nothing in Easy Rider's endless shots of motorcycles (stolen, as was some...