Word: toning
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Dates: during 1970-1979
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...recalled writing a skit called "Seamen on Broadway" that was rejected from the Hasty Pudding show "by some preppie so they could take some other preppie's skit." Franken started to smile again, but his tone was serious, too serious. "It's not preppies, cause I'm a preppie myself. I just don't like homosexuals. If you ask me, they're all homosexuals in the Pudding. Hey, I was glad when that Pudding homosexual got killed in Philadelphia." The smile became so broad it pushed his eyes shut. He couldn't stand it any longer. "Put that...
Readers who examine these letters for evidence of Woolf's fits of insanity will be disappointed. There are only the slightest variations in style and tone. Generally the onset of her breakdowns (she had two during the years this volume of her letters covers) was marked by a particular bitchiness in Virginia. As she recovers, her letters are extraordinary for their clarity and maturity. She emerges from each breakdown refreshed, with a new power of vision. After one summer-long madness she writes to Violet...
...each limo drew up, one heard a brief, collective indrawing of breath as lungs dilated for the big squeal; generally it was followed by a disappointed exhalation, as the couple issuing from the Cadillac turned out to be unrecognizable. Lip gloss, hair spray, three-tone streaks, cocoa-butter tans, insecure Zapata mustaches and wine red crushed velvet tuxedos: the women looked like tennis club matrons and their escorts like croupiers. The teenies had come for Al Pacino, but he was in New York. Prodded by the eupeptic booming of the outside master of ceremonies, they stayed to squeal at Walter...
...been performed only once-and poorly -over a decade ago at The Deutsche Oper in West Berlin. Among those in the audience, however, was Caldwell, and ever since she has been patiently trying to get the money together to stage the opera in Boston. Montezuma is indisputably twelve-tone music's finest hour on the operatic stage. Whether it finds its way into the standard repertory or, like Berg's Wozzeck (which it rivals), stays on the fringes, is something only the years can determine. For now it is enough that Montezuma is a work that imbues...
ASHMEDAI. Josef Tal, 65, is Israel's leading electronic composer. He works in a universally recognized style: 20th century eclectic. This grab-bag approach blends traditional composing techniques, rigorous twelve-tone segments reminiscent of Schoenberg with some electronic buzzes and drones. There are some striking orchestral passages. This kind of writing is not designed to display the human voice, despite vivid characterizations by Soprano Eileen Schauler and Baritone Paul Ukena...