Word: toning
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Dates: during 1980-1989
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Shultz set the tone for his mission during a preliminary stop in West Berlin. A few hours after he gazed across the Berlin Wall from a makeshift scaffold, the Secretary declared that the U.S. "does not accept the incorporation of Eastern Europe into a Soviet sphere of influence." But Shultz's pronouncement did not signal a new moral crusade. As official U.S. policy, the notion of "liberation" has long since been discredited and abandoned. Administration officials now speak more blandly of "differentiation" between East bloc countries. The aim, like that of every Administration since Lyndon Johnson's, is simply...
Such is the opening to Jennifer Bartlett's mid-career retrospective--the rotunda installation is her most recent work, Sea Wall, 1985--and it sets the tone of expectation very well. The large, the environmental and the obscurely systematized are here conflated with the small, the decorative and the pleasurable. It is as though the didactic strategies of conceptual art, its obsession with ordering and naming and listing, had been given play among the stereotypes of joie de vivre fixed a half-century or more ago by Henri Matisse and Raoul Dufy. At 44, Bartlett is almost the quintessential example...
...organize her designers: artists (Fortuny, Mary McFadden), purists (Chanel, Vionnet), architects (Balenciaga, Charles James), realists (Norman Norell and Miyake, of all people). Also, although it may be patrician not to talk about money, the vast fortunes made by the likes of Saint Laurent and Lauren go unrecorded, making the tone sound occasionally naive...
...highlight Wilson's theater piece The Golden Windows, an elusive love story with a Beckett-like nonsense text and some startling stage pictures, including an earthquake that sunders the stage and a dazzling meteor shower. Just as the West German city of Darmstadt nurtured the post-Webern twelve-tone composers after World War II, so has the Brooklyn Academy offered a safe haven for the minimalists from SoHo...
...week. Composer- Author Rupert Holmes has framed Drood within a Victorian music-hall pastiche, and the actors play both Dickens' characters and the rowdy, self- mocking buskers of a troupe nearly as atrocious as the Crummles company in Nicholas Nickleby. Much of the rambling tale survives, but the wry tone, the hallmark of Dickens' work, does...