Word: toning
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Dates: during 2000-2009
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...album’s best lyrics: “I know I’m going to hell in a leather jacket / at least I’ll be in another world while you’re pissing on my casket.” While Casablancas’ freewheeling tone adds a sense of fun not heard in his voice for several years, it doesn’t distract from the fact that the song never really moves anywhere. The same hook repeats for five minutes, without any substantial increase in excitement or drama...
...claps and a shimmering synth melody into his vocals about not knowing his way in the world: “I’m on my way, oh somewhere / Feels like I’m going left and right in the dark.” He brings a familiar tone of an unapologetic malcontent to “Ludlow Street,” which features a bizarre sitar introduction before transitioning into a boozy, demented waltz. Over a skipping drum machine and pleasant guitar strumming, Casablancas’ wistfully praises common street musicians while condemning the “yuppie...
Scenery in the movie consists of a hotel room, a desert, and a car. Also, a cave. The soundtrack, like the storyline and Grant Heslow’s direction, is forgettable, consisting of predictable tone music and a single use of “More Than a Feeling.” To be fair, the film does have several good lines (Clooney to a fleeing Iraqi, before hitting him with a car: “It’s okay, we’re Americans—we’re here to help you!”), delivered with...
...though these melodies may be sweet, Leslie isn’t a vocalist. He hits the notes, yes, and even slips into falsetto on occasion, but with his lack of variation in volume and tone, he can’t compare to modern R&B greats like Usher and John Legend. In “Never Gonna Break Up,” the first track, Leslie makes evident these weaknesses. The chorus is sung nearly an octave higher than the verses, in a breathy falsetto, but his voice is merely pleasant and its intensity remains stagnant. “Never...
...totally inexplicable jigsaw pattern painted on the floor. The lighting has a few select moments where it explicates the atmosphere of a scene, but otherwise it does little to aid the drama at hand. The sound is a dismal effort, relying largely on tacky, cartoonish underscoring that reduces the tone of any given scene to garish musical stereotypes...