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Word: tonk (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Bertolt Brecht. In a music-hall saturnalia of honky-tonk pianos, white masks and silent movie captions, the late great German playwright fashioned a prophetically dramatic exercise in brainwashing. "One man is no man," comments Playwright Brecht in this mocking, 20th century lament for the death of the individual...

Author: /time Magazine | Title: Cinema: Nov. 16, 1962 | 11/16/1962 | See Source »

...Bertolt Brecht. This Eric Bentley adaptation of a 1926 play by the late great German playwright uncannily prefigures the process of brainwashing. Amid chalky white masks, silent-movie captions and honky-tonk pianos, a sardonic 20th century dirge is sounded for the death of the individual...

Author: /time Magazine | Title: Cinema: Oct. 26, 1962 | 10/26/1962 | See Source »

...Bertolt Brecht. This Eric Bentley adaptation of a 1926 play by the late great German playwright uncannily prefigures the process of brainwashing. Amid chalky white masks, silent-movie captions, and honky-tonk pianos, a sardonic 20th century dirge is sounded for the death of the individual...

Author: /time Magazine | Title: Cinema: Oct. 19, 1962 | 10/19/1962 | See Source »

Shoot the Piano Player. Charles Aznavour is the male Edith Piaf of France. Like Piaf, he is slight, darkly sad-eyed, and sings and looks as if he were in mourning for his life. In this movie, Aznavour sings nary a note. He plays Charlie Koller, a shy honky-tonk piano tinkler in a demimonde bistro, who has a great deal to be mournful about...

Author: /time Magazine | Title: Cinema: New Wavelet | 8/3/1962 | See Source »

...Piano Player suggests that the New Wave is carrying its own logic to absurdity. Together with the Neo-Realist school of French fiction led by Novelist Alain Robbe-Grillet (TIME, July 20), the New Wave set out to give the "object" its due. In Piano Player, things-the honky-tonk piano, the hero's brass bed, an auto careening through the night-are vibrantly and almost independently alive, and man has become the lifeless inanimate object, draped over this brilliantly animated photoscape with the limp surrealistic pointlessness of one of Dali's melting watches...

Author: /time Magazine | Title: Cinema: New Wavelet | 8/3/1962 | See Source »

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