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...black writers and artists, musicians, dancers and actors find themselves in an era of creativity unrivaled in American history. The current efflorescence may have begun with the literature and criticism by black women published in the early '80s, especially the works of Ntozake Shange, Michele Wallace, Alice Walker and Toni Morrison. These women, and those who came later, were able to reach both the traditional large readership, which is middle class, white and female, and a new black female audience that had been largely untapped and unaddressed...

Author: /time Magazine | Title: Black Creativity: on the Cutting Edge | 10/10/1994 | See Source »

Assigning a single starting date for an upsurge in creativity is an exercise in arbitrariness: the year 1987 will do as well as any. That was when August Wilson's Fences premiered on Broadway and Toni Morrison published her masterpiece, Beloved. Both would receive Pulitzer Prizes. In that same year, PBS aired Henry Hampton's Eyes on the Prize, the six-part documentary on the civil rights era, and Cornell scholar Martin Bernal published Black Athena, a highly controversial account of African sources of classical Greek civilization. Meanwhile, Spike Lee and Wynton Marsalis were establishing themselves as masters of film...

Author: /time Magazine | Title: Black Creativity: on the Cutting Edge | 10/10/1994 | See Source »

Consider the achievements since 1993 alone, when Bill Clinton invited Maya Angelou to be the first poet since Robert Frost to read an original work at a presidential Inauguration. George C. Wolfe won a Tony Award for his direction of Angels in America. Novelist Toni Morrison became the first black woman to win the Nobel Prize for Literature. Rita Dove was appointed the country's first black poet laureate. Two works inspired by the Rodney King affair -- 56 Blows, a symphony by Alvin Singleton, and Twilight: Los Angeles, 1992, a one- woman docudrama by playwright and performer Anna Deavere Smith...

Author: /time Magazine | Title: The Beauty of Black Art | 10/10/1994 | See Source »

...album was shaped by top-flight producers, including Babyface (who's worked with Toni Braxton and Madonna) and Jimmy Jam and Terry Lewis (the masterminds of Janet Jackson's rise to megastardom). Every song on II is about love and is performed at mid-tempo; the whole enterprise could easily have become just another bland-as-the-Weather-Channel collection of precision- crafted pop songs. It didn't. Each of the Boyz has a robust, nimble voice -- "There's not a weak link in the bunch," says Jam -- and the group turns almost every song on II into a vocal...

Author: /time Magazine | Title: POP: Boyz II Men: No Grunge, No Gangstas | 9/5/1994 | See Source »

...Toni Pini, an exterminator who works for theCity of Cambridge, says the reappearance of micemay be due to sewer construction through the city...

Author: By Andrew L. Wright, | Title: Brown Mice Return To Botanic Gardens | 6/7/1994 | See Source »

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