Word: tooâ
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...Afro-American studies when Negro students insisted on it. It is, moreover, in keeping with the Harvard way that basic decisions are not, as at less democratic universities, made only by a small inner circle of deans. Proposals for major changes are discussed widely among faculty members?and students too???before they are acted on. There may be tension at Harvard, but there is communication as well...
...could rake a room like a laser beam?or twinkle as merrily as Mr. Pickwick's ?he talked with a staccato concentration of word and thought that one associate described as "jammed machinegun" style. And, as his pastor, Dr. David H. C. Read, noted last week, "he listened too???with an intensity you could almost hear...
...schoolmaster, John Boynton Priestley still talks in his broad, matter-of-fact native accent. At the outbreak of the War he enlisted as a private, emerged in 1918 as an .officer. In his three years at Cambridge he "was always faintly uncomfortable, being compelled to feel?and quite rightly too???a bit of a lout and a bit of a mountebank." While still an undergraduate he published a book of parodies (Brief Diversions), then went to London as literary adviser to a publisher, wrote book reviews for the London Mercury and the Daily News. The resounding success of The Good...
Inanimate objects, too???hand-organs, opera-cloaks, acacia-blossoms?the rare Molnar dramaturgy makes almost articulate. Much is said about the Molnar technique?brilliant, original. In The Play's the Thing the curtain rises on characters discussing the best way to begin a play. In Mima he builds up his climax by repeating a scene three times. In both these plays, in most of Molnar, there are several planes of reality, arranged provocatively and with an eye to permanence...
...Austrian Tyrol; the actors are obviously actors; the subtitles are verbose. It suffers also the phrases of incontinuity inevitable in a picture made from a long and not particularly compact book. But none of these flaws is important. What was good in the story is alive in the film too???the emotion of something wild beating against influences arranged to tame it. A woman named Mabel Poulton, who used to be a stenographer in London, plays the part of Tessa, the composer's daughter who remembers the thundering music of mountainsides too well to endure the organized drabness...