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Word: toole (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...slip in judgment--if it could be established--would not justify depriving the University Police of a tool essential to their safety and efficiency. Forcing pacifism on the police would be counter-productive...

Author: NO WRITER ATTRIBUTED | Title: Police Guns | 4/24/1968 | See Source »

...Marshall McLuhan et al to themselves. Not only do people not know how photography works, but they don't know what it can do: most either think one needs a flash to take a picture out of the sun, or they think the camera is a magical mystery tool that might catch them doing anything anytime. This nervous generation of nonphotographers wants some "good, bad" standards to guide it through wearying indecision and to interpret the nonliteral into words...

Author: By John G. Short, | Title: Still Photography | 4/24/1968 | See Source »

Photography has become almost as widely practised an amusement as sex and dancing--which means that, like every mass art form, photography is not practised by most people as an art. It is merely a social rite, a defense against anxiety, and a tool of power...

Author: By Cliff Sloan, | Title: Images of the World | 4/21/1968 | See Source »

...time, ad-lib emergency procedures to break-in against HAL's wishes. His determination is perhaps motivated by the first anger he has shown, and is certainly indicative of a crucial re-assertion of man over machine, again shifting the film's balance concerning the relationship between man and tool. In a brilliant and indescribable sequence, preceded by some stunning low-angle camera gyrations as Bowman makes his way toward HAL's controls, the man performs a lobotomy on the computer, dismantling all but its mechanical functions. Symbolically, it is the murder of an equal, and HAL's "death" becomes...

Author: NO WRITER ATTRIBUTED | Title: 2001: A Space Odyssey | 4/12/1968 | See Source »

Bowman's complex act parallels that of the australopithicus: his use of the pod ejector to re-enter the craft was improvisational, the mechanism undoubtedly designed for a different purpose--this referring to the use of bone as weapon-tool. Finally in committing murder, Bowman has essentially lost his dehumanization and become an archetypal new being: one worthy of the transcendental experience that follows. For the last part of the film, we must assume Bowman an individual by virtue of his improvised triumph over the complex computer...

Author: NO WRITER ATTRIBUTED | Title: 2001: A Space Odyssey | 4/12/1968 | See Source »

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