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Cruz is forthright in saying to others that "in the long run, what I'm doing is political: helping kids from poor neighborhoods use education as a tool..to become leaders...

Author: By Laura E. Gomez, | Title: A Less Showy Kind of Activism | 9/18/1985 | See Source »

...Divestment: Jewett sticks to Harvard's policy of intensive dialogue with South Africa-linked firms. He said he "doesn't particularly see divestment as a useful tool in influencing" the apartheid state. He said he would prefer to see student pressure on Washington and would support a public policy pressuring the regime to reform its apartheid laws. But, he said, the costs of Harvard's divesting would be great, both financially and in the precedent it would...

Author: By Kristin A. Goss, | Title: Jewett on the Issues: He Sticks Close to the University Line | 9/18/1985 | See Source »

Organized labor and women's groups see comparable worth in a different light. Eleanor Smeal, president of the National Organization for Women, said her group would "raise hell" over the decision, and lauded the concept as a tool that women can use "to break out of the ghetto of low wages." Gerald McEntee, president of the American Federation of State, County and Municipal Employees, a plaintiff in the Washington suit, called comparable worth "pay equity for workingwomen." McEntee said the union intends to appeal last week's decision to the Supreme Court...

Author: /time Magazine | Title: Back to the Bargaining Table | 9/16/1985 | See Source »

Cruz is forthright in saying to others that "in the long run, what I'm doing is political: helping kids from poor neighborhoods use education as a tool..to become leaders...

Author: By Laura E. Gomez, | Title: A Less Showy Kind of Activism | 9/12/1985 | See Source »

...culture writes some chapters of its memoirs in waste. But unlike other German avant-gardists of the '20s and '30s, he was not a political artist with party allegiances; he was utterly absorbed in the ideal of autonomous fine art. "Art is too precious to be misused as a tool," he declared. "I prefer to distance myself from contemporary events . . . But I am more deeply rooted in my time than the politicians." After half a century, Schwitters' constructions, which include every kind of urban detritus--the crumpled sides of a child's tin train, theater tickets, cigarette packs, fragments...

Author: /time Magazine | Title: Art: The Urban Poet | 9/9/1985 | See Source »

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