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Word: tooled (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...sitting in a wicker chair in a Left Bank cafe, he suddenly realizes that he can escape his perennial sense of personal and artistic vagabondage. By accepting the German language, "the language I had learned at the beginning of my life, the natural language that was my tool, that now belonged to me alone and had nothing more to do with the land where I had grown up ... I could live in Paris or in Stockholm, in London or New York . . . That evening, I saw that it was possible to live and work in the world, and that I could...

Author: /time Magazine | Title: Books: How to Stop Being a Vagabond | 7/5/1968 | See Source »

...Hughes Tool...

Author: /time Magazine | Title: Business: DEFENSE: THE TOP 100 | 6/28/1968 | See Source »

...finally his use of the adjective "Negro" to connote crime and degeneracy reveals some ill-concealed white racism. The hypodermic needle he describes as "the tool of the Negro slums". He describes seeing a "pretty girl with straight blond hair" meet a "goateed Negro" in Harvard Square, talk about drugs, and then disappear together into a Harvard building--none too subtly hinting at miscegination...

Author: By John G. Short, | Title: Poisoned Pen | 6/10/1968 | See Source »

...feet, the first thing Building Wrecker Walter J. Piper did was to throw away his crow bar. The act came within a quarter of an inch of taking his life. Sliding down a beam as the roof fell, Piper, 69, plummeted onto the 5-ft.-long, l-in.-thick tool, which had lodged point up in a pile of debris. The crowbar rammed through Piper's scrotum, smashed his pelvis, punctured his intestines, stomach, diaphragm and a lung before stopping within a quarter of an inch to the right of his heart...

Author: /time Magazine | Title: Trauma: Pluck, Luck & Skill | 6/7/1968 | See Source »

Italy's Alberto Burri, who began by charring panels of wood, now creates haunting images by scorching skeins of plastic; after all, since nature is in a state of constant metamorphosis, fire, which transmutes plastic's clarity into murk, is a legitimate artist's tool. Philip McCracken offers a long, narrow Plexiglas case, with five light bulbs lined up inside, four of them shot to bits and bullet holes piercing the case on either side of them. The piece seems to ask the question "When?" as the eye canvasses the damage already done and the mind awaits...

Author: /time Magazine | Title: Exhibitions: Destruction Can Be Beautiful Or Can It? | 5/24/1968 | See Source »

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