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...rather than rehash his many successes, he and Maslin spent their 90 minutes together discussing the “grammar for films” he learned from the French New Wave masters François Truffaut and Jean-Luc Godard. Everything about their conversation, from the topic to the manner, was full of deference and humility.“This may not be the truth for everyone,” Benton said, referring to his filmmaking philosophy, “but it’s the truth for me.” Benton’s approach is composed...

Author: By Jillian J. Goodman, CRIMSON STAFF WRITER | Title: Benton on Books, Beatty, and Bond | 4/25/2008 | See Source »

...that’s a remake of an old, bad television show—it’s also science fiction. Still, it has managed to be one of the best shows on television. Now before you start picturing me playing D&D in a fedora and a Hot Topic t-shirt, let me just say that I don’t really like science fiction as a rule. Growing up, I dug the gems, like “Ender’s Game” and the Douglas Adams books, but my ability to estimate quality doesn?...

Author: By Allie T. Pape, CONTRIBUTING WRITER | Title: TV Is Art--Why Don't You Watch? | 4/25/2008 | See Source »

...Peter McMillan reveals the vivid emotions that have kept the heart of the collection beating all this time. The poems of the Hyakunin Isshu are waka: 31-syllable verses of five lines. Like the better known haiku, which they spawned, waka have a brevity and a strictness of topic and word-choice that demand economy of expression. They exemplify the idea that art is born of constraints and dies in freedom. But imposing restrictions that are unnatural in English has doomed many translations. McMillan succeeds by following a more sensible rule: abandoning the stipulated meter, but making the poems...

Author: /time Magazine | Title: The Timeless 100 | 4/24/2008 | See Source »

...Onto a less (or more) serious topic. I read that you were a finalist on Teen Jeopardy! back in the day. True...

Author: By Erin C. Yu, CONTRIBUTING WRITER | Title: 15 Questions with David A. Javerbaum '93 | 4/24/2008 | See Source »

...Negative messages in hip-hop music have long been a topic of concern among worried mothers and professors of popular culture alike, who call for the genre to be reformed. But controversial values are not the trademark of hip-hop generally. Tracy D. Sharpley-Whiting, the director of Vanderbilt’s program in African American and Diaspora Studies, agrees that though misogynistic and violent messages are often heard through public outlets, hip-hop’s full creative spectrum is concealed by major record labels and commercial radio. There has been a widespread struggle to reconcile the artistic expression...

Author: By Beryl C.D. Lipton and Rebecca A. Schuetz, CRIMSON STAFF WRITERSS | Title: A Bad Rap | 4/24/2008 | See Source »

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