Search Details

Word: topnotch (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

High Noon. A topnotch western, with Gary Cooper as an embattled cow-town marshal facing four desperadoes single-handed (TIME, July...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Nov. 3, 1952 | 11/3/1952 | See Source »

High Noon. A topnotch western, with Gary Cooper as an embattled cow-town marshal facing four desperadoes single-handed (TIME, July...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Oct. 27, 1952 | 10/27/1952 | See Source »

...week, after many more lake workouts and a hot 1952 campaign, Chris, now a venerable ten-year-old, was back at Yonkers Raceway near New York City, a 6-to-1 shot in a renewal of the $25,000 Gotham Trot. Starting in the second tier, Chris passed such topnotch trotters as Yankee Hanover, Pronto Don and Main-liner, breezed across the finish six lengths ahead. The sea horse's time: 3 min. 9 sec., breaking his own track record...

Author: /time Magazine | Title: Sport: Back in the Swim | 10/27/1952 | See Source »

...topnotch cast, most of whom worked for less than their regular salaries to be identified with such a big "prestige" picture: Marlon Brando (Mark Antony), Louis Calhern (Caesar), James Mason (Brutus), John Gielgud (Cassius), Deborah Kerr (Portia), Greer Garson (Calpurnia). The screenplay, reportedly all Shakespeare, contains no "additional dialogue." Says Producer Houseman: "We kept it in black-and-white because there are certain parallels between this play and modern times. People associate dictators with black-and-white newsreel shots of them haranguing the crowds . . . Mussolini on the balcony, that sort of thing. With color, you lose that reality...

Author: /time Magazine | Title: Cinema: Et Tu, Brando? | 10/27/1952 | See Source »

...trend was explained by Moviemaker Bill Thomas, of Pine-Thomas Corp., topnotch producers of B pictures: "The exhibitors warned us there was a tendency toward too many westerns. They told us to change the formula. So we changed it. First it was the Civil War, and then there got to be too many of them. Then we had to figure where to go. We had to keep action-adventure films. There was only...

Author: /time Magazine | Title: Cinema: Wet Westerns | 10/27/1952 | See Source »

Previous | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | Next