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Word: torch (lookup in dictionary) (lookup stats)
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This is an "assertive society," mused some of the boys up at the American Enterprise Institute, and it responds best to dynamic leadership, both domestically and internationally. They were digging back for John Kennedy's lines about bearing burdens and holding high the torch. They figure those phrases will be back in vogue before long...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: New/Old Winds Ablowing | 6/5/1978 | See Source »

...march started out from the Yard with about 2000 candle-and-torch-bearing protestors. Two-and-a-half hours later, after winding through the Quad, the Law School and the River Houses, it returned to the Yard with a chanting crowd of about...

Author: By George K. Sweetnam, | Title: Then 3500 Marched in Anger | 4/29/1978 | See Source »

...cast: everyone shines so brightly that when they merge, it's blinding. Diane Nabatoff has a voice that cuts through the air like a siren until it laps lullingly against your ear. Her Reno Sweeny has that extra dimension of depth that you find in the best torch singers--mature, at times slightly removed, a little scared of aging, but always supremely poised. Brick Bushman's engaging Billy never lets the character become plastic, and as his beloved, Ellen Burkhardt is a wonderfully pert ingenue, an island of sanity at sea. Kevin Usher as the gangster Moonface gives a performance...

Author: By David B. Edelstein, | Title: Porter Ambrosia | 4/20/1978 | See Source »

...newer krewes are commercial in nature. They bring in celebrities to host their parades and balls. Others represent local interests. Tulane University students, for instance, have their own "Krewe of Tuck," and members of New Orleans's black community, who participate in the more traditional parades only as "flambeaux" (torch carriers), put on an elaborate "Zulu" parade and ball...

Author: By Jon Alter, | Title: Where the People Sing and Play Mardi Gras | 3/6/1978 | See Source »

...place, follow a consistent course to another and hopefully make a point somewhere along the way. Recorded pop music, however, has chronically suffered from a lack of thematic focus--the aural equivalent of short story collections, pop records often veer crazily from love song to drinking song to torch song to instrumental. As often as not, the only factor holding the individual works together--if, indeed, anything does at all--is stylistic, the musical presence of the performer. An overriding theme must, of necessity, go by the boards; the constraints of the medium make it impossible to Make A Statement...

Author: By Bill Barol, | Title: Angst on Wheels | 2/13/1978 | See Source »

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