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...empathize with what could have been a superlative job of acting. Page's attempt to depict Debby's fantasy world, to which she retreats from an unpleasant reality, further emphasizes his direction's shallowness. Green described a world complete with a separate language and gods who alternately seduce and torment Debby; but such a world could only be shown on film by a master like Ingmar Bergman, who can create powerful, metaphorical dream-images that evoke our own hidden anxieties through the use of visual symbols. Page's portrayal of Debby's private gods as primitive tribesmen--who induce...

Author: By Anna Clark, | Title: Wilted Roses | 9/21/1977 | See Source »

Then, as the sun set over the islands, the men held hands in a circle and chanted: "May we always be united in our purpose to free this land from torment. May the bombing stop and the land grow again." Before dawn they had broken up into groups of two or three to improve their chances of evading Marine patrols. Within two days, four of the invaders gave themselves up. But the others remained at large and were joined last week by six additional protesters. Until all are rounded up, the Navy will have to suspend target practice...

Author: /time Magazine | Title: AMERICAN SCENE: Return of the Natives to Kahoolawe | 8/8/1977 | See Source »

...inspired is worth less to a playwright than to be obsessed. With Eugene O'Neill, it is the isolated torment of the soul's loneliness. With Arthur Miller, it is the nagging quest for justice. With Tennessee Williams, it is the poignant cry of the violated heart. And though Britain's Alan Ayckbourn does not rank with these playwrights, he, too, has his ambient obsession. Again and again (Absurd Person Singular, The Norman Conquests and now Absent Friends) he dwells on the crimping horizons and absurdist conventional fritter of suburban life...

Author: /time Magazine | Title: The Theater: Barometric Eye on Suburbia | 7/25/1977 | See Source »

...torment of that infinite reflection is strikingly evoked in "Mass Production." An ominous score by Bowie sets the scene, a sensitive juxtaposition of electronic machine-like sound in insistent rhythm with Iggy's plaintive vocals...

Author: By Johanna T. Defenderfer, | Title: Iggy Meets Ziggy | 5/6/1977 | See Source »

...SHADOW of the earlier part of the film hangs over this segment, clouding our faith in the idyllic surfaces that greet us. Gielgud's torment seems sharply discontinuous with the mildness of this family reunion. And yet a certain continuity is present in seemingly chance words and images, in Bogarde's attack on his father's desire to disembowel people for artistic purposes, in the very preoccupations which mark the dinner conversation. The resonances are different, however, the tone flatter. Where the dialogue was highly abstract and the characters rigidly controlled, there was a sense that Gielgud and Resnais were...

Author: By Julia M. Klein, | Title: Through a Glass, Bluely | 4/20/1977 | See Source »

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